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    <lastmod>2025-10-19</lastmod>
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      <image:title>Magazine - Bob Thompson’s Measure of My Song, by Sam Cornish - Make it stand out</image:title>
      <image:caption>Bob Thompson Abundance of the Four Elements, 1964 Oil on canvas 121.9 x 152.4 cm 48 x 60 in. Courtesy of Private Collection and Maximillian William © Michael Rosenfeld Gallery LLC, New York, NY. Photo: Ben Westoby / Fine Art Documentation</image:caption>
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      <image:title>Magazine - Bob Thompson’s Measure of My Song, by Sam Cornish - Make it stand out</image:title>
      <image:caption>Bob Thompson Perseus and Andromeda, 1964 Oil on canvas 151.4 x 182.2 cm 59 5/8 x 71 3/4 in. Courtesy of New Jersey State Museum Collection; Museum Purchase, FA1984.47 and Maximillian William © Michael Rosenfeld Gallery LLC, New York, NY. Photo: Ben Westoby / Fine Art Documentation</image:caption>
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    <loc>https://www.doris.press/blog/3352928y43seunqem0dwttszntcy9l</loc>
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    <lastmod>2025-09-03</lastmod>
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      <image:title>Magazine - Cutie-Pie / An interview with France-Lise McGurn - Make it stand out</image:title>
      <image:caption>France-Lise McGurn photograph by Amy Gwatkin</image:caption>
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      <image:title>Magazine - Cutie-Pie / An interview with France-Lise McGurn - Make it stand out</image:title>
      <image:caption>What Everyone Wants, Modern Institute, Glasgow, 2024, installation view.</image:caption>
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      <image:title>Magazine - Cutie-Pie / An interview with France-Lise McGurn - Make it stand out</image:title>
      <image:caption>Installation view: France-Lise McGurn and Rita McGurn, Matching Mother/Daughter Tattoos, Margot Samel, New York, 2023</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/fe7b70d4-fb2d-4f7b-b54f-71faa218480a/62.jpg</image:loc>
      <image:title>Magazine - Cutie-Pie / An interview with France-Lise McGurn - Make it stand out</image:title>
      <image:caption>Head, oil and marker pen on canvas, 40 × 45 cm 2022.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/c4fb1dec-ad88-4d73-b263-bcf7912ac939/F_MCG_0308-1.jpg</image:loc>
      <image:title>Magazine - Cutie-Pie / An interview with France-Lise McGurn - Make it stand out</image:title>
      <image:caption>Bambi yeh, oil on canvas, 150 x 180 cm, 2024</image:caption>
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    <loc>https://www.doris.press/blog/qw670j0ubqs5su0f84fd94oqujpaq4</loc>
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    <lastmod>2025-08-12</lastmod>
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      <image:title>Magazine - Hide by Conor Ackhurst - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Magazine - Hide by Conor Ackhurst - Make it stand out</image:title>
      <image:caption>installation SVA 2025</image:caption>
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    <loc>https://www.doris.press/blog/cast-a-cold-eye-by-william-davie</loc>
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    <lastmod>2025-05-29</lastmod>
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      <image:title>Magazine - Cast a Cold Eye by William Davie - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.doris.press/blog/kentaro-okumura-at-vardaxoglou-gallery</loc>
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    <lastmod>2025-05-15</lastmod>
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      <image:title>Magazine - Kentaro Okumura at Vardaxoglou Gallery, by Sam Cornish - Make it stand out</image:title>
      <image:caption>Kentaro Okumura, Road, 2024, oil on canvas, 35.5 x 45.5 cm, 14 x 17 7/8 ins</image:caption>
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      <image:title>Magazine - Kentaro Okumura at Vardaxoglou Gallery, by Sam Cornish - Make it stand out</image:title>
      <image:caption>Kentaro Okumura, Untitled, 2024, oil on canvas, 50 x 74 cm, 19 3/4 x 29 1/8 ins</image:caption>
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  <url>
    <loc>https://www.doris.press/blog/noah-davis</loc>
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    <lastmod>2025-04-24</lastmod>
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      <image:title>Magazine - Noah Davis by Hanna Dhaimish - Make it stand out</image:title>
      <image:caption>Noah Davis, 40 Acres and a Unicorn, 2007 (c) The Estate of Noah Davis Courtesy The Estate of Noah Davis and David Zwirner</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/c61ab27d-df4d-4d44-a783-38674c3b935a/Noah+Davis%2C+The+Missing+Link+4%2C+2013+%C2%A9+The+Estate+of+Noah+Davis%2C+Courtesy+The+Estate+of+Noah+Davis+and+David+Zwirner.jpg</image:loc>
      <image:title>Magazine - Noah Davis by Hanna Dhaimish - Make it stand out</image:title>
      <image:caption>Noah Davis, The Missing Link 4, 2013 © The Estate of Noah Davis, Courtesy The Estate of Noah Davis and David Zwirner</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/6ec9180c-6cca-4306-88da-41c785e680da/Noah+Davis%2C+Painting+for+My+Dad%2C+2011+%28c%29+The+Estate+of+Noah+Davis+Courtesy+The+Estate+of+Noah+Davis+and+David+Zwirner.jpg</image:loc>
      <image:title>Magazine - Noah Davis by Hanna Dhaimish - Make it stand out</image:title>
      <image:caption>Noah Davis, Painting for My Dad, 2011 (c) The Estate of Noah Davis Courtesy The Estate of Noah Davis and David Zwirner</image:caption>
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    <loc>https://www.doris.press/blog/emii-alrais-river-of-black-stone-at-compton-verney</loc>
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    <lastmod>2025-04-07</lastmod>
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      <image:title>Magazine - Emii Alrai’s River of Black Stone at Compton Verney by Dr. Kerry Harker - Make it stand out</image:title>
      <image:caption>Emii Alrai, River of Black Stone at Compton Verney, 2025 © Compton Verney and Jamie Woodley</image:caption>
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      <image:title>Magazine - Emii Alrai’s River of Black Stone at Compton Verney by Dr. Kerry Harker - Make it stand out</image:title>
      <image:caption>Emii Alrai, River of Black Stone at Compton Verney, 2025 © Compton Verney and Jamie Woodley</image:caption>
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    <lastmod>2025-02-06</lastmod>
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      <image:title>Magazine - Jake Grewal, Under the Same Sky, Studio Voltaire&amp;nbsp;by Sue Hubbard - Make it stand out</image:title>
      <image:caption>Image credit: Jake Grewal, Under the Same Sky, 2025. Installation view at Studio Voltaire. Images courtesy of the artist and Studio Voltaire. Credit Sarah Rainer.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/236ca86b-782a-4529-bb3b-751060535282/Jake-Grewal_Under-The-Same-Sky_2025_Image-courtesy-of-the-artist-and-Studio-Voltaire_Photo-Sarah-Rainer1.jpg</image:loc>
      <image:title>Magazine - Jake Grewal, Under the Same Sky, Studio Voltaire&amp;nbsp;by Sue Hubbard - Make it stand out</image:title>
      <image:caption>Image credit: Jake Grewal, Under the Same Sky, 2025. Installation view at Studio Voltaire. Images courtesy of the artist and Studio Voltaire. Credit Sarah Rainer.</image:caption>
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    <loc>https://www.doris.press/blog/forbidden-territories-review-hanna-dhaimish</loc>
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    <lastmod>2025-01-02</lastmod>
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      <image:title>Magazine - Forbidden Territories by Hanna Dhaimish - Make it stand out</image:title>
      <image:caption>Nicolas Party, Landscape, 2022. Courtesy of the artist and The Modern Institute / Webster Hamilton Ltd., Glasgow. Photo: Adam Reich</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/705b79e1-929b-42b8-87fe-f5f88c2846fe/WSHA190002-1_001-scaled.jpg</image:loc>
      <image:title>Magazine - Forbidden Territories by Hanna Dhaimish - Make it stand out</image:title>
      <image:caption>Wael Shawky, "The Gulf Project Camp: Sculpture # 1 ", 2019. © Wael Shawky. Courtesy Lisson Gallery</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/93423dc0-84c6-455d-9e12-dccd7c3d25f4/1.xvii_-Dali-.jpg</image:loc>
      <image:title>Magazine - Forbidden Territories by Hanna Dhaimish - Make it stand out</image:title>
      <image:caption>Salvador Dalí, Mountain Lake, 1938. © Salvador Dali, Fundació Gala-Salvador Dalí, DACS 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/2ddb1b73-bf27-4303-b8c9-196593893c74/3.xi_-Wykeham-Dream-Desert-scaled.jpg</image:loc>
      <image:title>Magazine - Forbidden Territories by Hanna Dhaimish - Make it stand out</image:title>
      <image:caption>Mary Wykeham, Dream – Desert, 1979. © Judith Wykeham / Wakefield Permanent Art Collection (The Hepworth Wakefield)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1fa7935f-8853-4ea5-be07-cd1316d4e029/Open-Geometry1-scaled.jpg</image:loc>
      <image:title>Magazine - Forbidden Territories by Hanna Dhaimish - Make it stand out</image:title>
      <image:caption>María Berrío, Open Geometry, 2022 © María Berrío. Courtesy the artist and Victoria Miro. Photo: Bruce M White</image:caption>
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      <image:title>Magazine - Forbidden Territories by Hanna Dhaimish - Make it stand out</image:title>
      <image:caption>Grace Pailthorpe, Composition (April 22), 1940. The Sherwin Family Collection permanently housed at The Hepworth Wakefield. Photo: Anya Fiáine-Fox</image:caption>
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    <loc>https://www.doris.press/blog/les-temps-des-lilas-by-malene-engelund</loc>
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    <lastmod>2024-11-29</lastmod>
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      <image:title>Magazine - Les Temps des Lilas by Malene Engelund - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Magazine - Les Temps des Lilas by Malene Engelund - Make it stand out</image:title>
      <image:caption>Image Credit: Graeme Swanson - 'Inner Sound'</image:caption>
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    <loc>https://www.doris.press/blog/16za291xy2yg8vtgcgyo4mx42s0bpo</loc>
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    <lastmod>2024-10-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/ff13e545-5df6-486c-958a-9baff5a2ce24/Mali+Morris+Returning+at+the+Hatton+Gallery%2C+2024.+Photo+credit+Colin+Davison+%288%29.JPG</image:loc>
      <image:title>Magazine - Mali Morris,Returning,Hatton Gallery,Newcastle University by&amp;nbsp;Sue Hubbard&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Mali Morris Returning at the Hatton Gallery, 2024. Photo credit Colin Davison</image:caption>
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      <image:title>Magazine - Mali Morris,Returning,Hatton Gallery,Newcastle University by&amp;nbsp;Sue Hubbard&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Mali Morris, Through, 2004, acrylic on canvas, 21 x 26 cm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/239b0e57-a246-400e-886c-336c8d937a83/5+Mali+Morris_Voyage%2C+2005_acrylic+on+canvas_40+x+55cm.jpg</image:loc>
      <image:title>Magazine - Mali Morris,Returning,Hatton Gallery,Newcastle University by&amp;nbsp;Sue Hubbard&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Mali Morris, Voyage, 2005, acrylic on canvas, 40 x 55cm</image:caption>
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      <image:title>Magazine - Mali Morris,Returning,Hatton Gallery,Newcastle University by&amp;nbsp;Sue Hubbard&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Mali Morris, Impeller II, 2023, acrylic on canvas, 200 x 220 cm</image:caption>
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  <url>
    <loc>https://www.doris.press/blog/second-blooming</loc>
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    <lastmod>2024-10-18</lastmod>
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      <image:title>Magazine - Second Blooming, Anya Gallaccio at Turner Contemporary, Margate, by Hannah Lees - Make it stand out</image:title>
      <image:caption>Anya Gallaccio, preserve ‘Beauty’, 1991, 2024, © Jo Underhill 2024</image:caption>
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      <image:title>Magazine - Second Blooming, Anya Gallaccio at Turner Contemporary, Margate, by Hannah Lees - Make it stand out</image:title>
      <image:caption>Anya Gallaccio, The inner space within, 2008 2024, © Jo Underhill 2024</image:caption>
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      <image:title>Magazine - Second Blooming, Anya Gallaccio at Turner Contemporary, Margate, by Hannah Lees - Make it stand out</image:title>
      <image:caption>Anya Gallaccio, Beautiful Minds... (dene hole), 2024, © Jo Underhill 2024</image:caption>
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    <loc>https://www.doris.press/blog/3dhleb5rxnml226skr2upcex2739yi</loc>
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    <lastmod>2024-09-27</lastmod>
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      <image:title>Magazine - A View From The Ledge, Mathew Weir on William Wallace.&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/3c574890-f1f1-4180-9239-ee4f958b6eb8/image1.jpeg</image:loc>
      <image:title>Magazine - A View From The Ledge, Mathew Weir on William Wallace.&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Credit: © Sophie Calle, Mama (dans le vase) n°3, 2012. Courtesy of the artist &amp; Perrotin.</image:caption>
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      <image:caption>Credit: ©Sophie Calle, Morte de bonne humeur/Dead in a Good Mood, 2013. Courtesy of the artist &amp; Perrotin</image:caption>
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      <image:caption>For the problem of being female, 2023 (hand sewn inherited lace patchwork), 300 x 250mm</image:caption>
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    <lastmod>2023-08-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/85fdf197-03f7-4b00-b2b1-46b67c50fe96/8.+ZIG+ZAG+LADY+%28+Has+been%29+.jpg</image:loc>
      <image:title>Magazine - Jigsaw Woman by Mathew Weir - Make it stand out</image:title>
      <image:caption>Abigail Lane, Zig Zag Lady (Has been) including appropriation of guest artist Gavin Turk's Spent Match (Ed 9/40), 2005. Zig Zag Lady (Has been) 2022 / 170 x 82 x 40cm. Plywood, Perspex sheet, brass wire, glass eye, plaster and house dust casts, stretched calico, black cotton, curtain, fishnet tights, shoes, stretcher bars and painted bronze. Copyright the artist. Photo Doug Atfield.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/e2681be1-168e-4189-8d41-7a92833f4393/13.+ZIG+ZAG+LADY+%28She%27s+Febreze%29170x71x40cm_image+1.jpg</image:loc>
      <image:title>Magazine - Jigsaw Woman by Mathew Weir - Make it stand out</image:title>
      <image:caption>Abigail Lane, Zig Zag Lady (She’s Febreze) 2023, 170 x 72 x 40 cm. Plywood, Perspex sheets, painted jesmonite casts, embroidered pajama top, nylon washing line with pegs, cotton embroidered fabric stretched over wooden frame, painted plaster, castor wheels. Copyright the artist. Photo Doug Atfield.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/9b0d47e3-0bbf-49a6-81dd-4b5a5b8ab5e9/Heads+%26+tails+installation+shot+2.jpg</image:loc>
      <image:title>Magazine - Jigsaw Woman by Mathew Weir - Make it stand out</image:title>
      <image:caption>Installation view of Heads &amp; Tails at The Art Station (including guest work by Glenn Brown) Abigail Lane, Crucifixion, 2020, 122 x 86 x 2.5 cm. Linen stretched onto wood frames, black cotton. Abigail Lane, Mole Hills, 2016, 38 x 33 x 14 cm and 23.5 x 20 x 75 cm, painted bronze. Glenn Brown, Drawing 6 (after Greuze/ Grimaldi) 2017, 54.5 x 45.5 cm (framed), India ink on polyester film over cardboard in frame. Copyright the artists. Photo Doug Atfield.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/e2523ca3-a494-4966-975c-096f4847bab8/1.+HEADS+%26+TAILS.jpg</image:loc>
      <image:title>Magazine - Jigsaw Woman by Mathew Weir - Make it stand out</image:title>
      <image:caption>Installation view of Heads &amp; Tails at The Art Station (including guest work by Mathew Weir) Abigail Lane, Heads &amp; Tails, 2021 - 2023, 12 framed embroideries, red cotton onto calico, each, 830 x 650cm. Mathew Weir, Wound Man, 2021, framed drawing. Blood onto paper, 49 x 39.5cm Doug Atfield</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/764cab98-b075-456b-8341-612eef95a2a2/wound+man+drawing+Mathew.jpeg</image:loc>
      <image:title>Magazine - Jigsaw Woman by Mathew Weir - Make it stand out</image:title>
      <image:caption>Mathew weir, Wound Man, blood on paper, 2021, 49 x 39.5cm framed</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/poets-in-vogue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/08aff6ba-5c17-40ee-aa57-6bc1df1b3328/IMG_9299.jpg</image:loc>
      <image:title>Magazine - Poets in Vogue: review by Amelia Stout - Make it stand out</image:title>
      <image:caption>Poets in Vogue, Theresa Hak Kyung Cha, Aveugle Voix (1975)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/f6c1deb8-72a6-4b3d-b667-8100e99528da/Screenshot+2023-07-31+at+21.10.38.png</image:loc>
      <image:title>Magazine - Poets in Vogue: review by Amelia Stout - Make it stand out</image:title>
      <image:caption>The plaid skirt owned and worn by Sylvia Plath c 1956</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/we-could-have-lost-francisco-de-zurbarn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/18998bb9-46a8-497c-b145-679c3d72beb6/N-0230-00-000044-wpu.jpg</image:loc>
      <image:title>Magazine - We Could Have Lost Francisco de Zurbarán by William Davie - Make it stand out</image:title>
      <image:caption>Saint Francis in Meditation (1635-9) Oil on canvas 152 × 99 cm NG London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/7d9bfbd1-b881-4f94-aeb5-ea539f3a5a79/FdZ+Apotheosis+of+Saint+Thomas+Aquinas.jpg</image:loc>
      <image:title>Magazine - We Could Have Lost Francisco de Zurbarán by William Davie - Make it stand out</image:title>
      <image:caption>The Apotheosis of Saint Thomas Aquinas (1631)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/19ae6eef-c8c2-42b3-a424-b8522d85507a/Screenshot+2023-07-26+at+12.41.33.png</image:loc>
      <image:title>Magazine - We Could Have Lost Francisco de Zurbarán by William Davie - Make it stand out</image:title>
      <image:caption>Still Life with Lemons, Oranges and a Rose (1633)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1f866763-1bad-4371-806a-3a10b3804374/Screenshot+2023-07-26+at+12.45.31.png</image:loc>
      <image:title>Magazine - We Could Have Lost Francisco de Zurbarán by William Davie - Make it stand out</image:title>
      <image:caption>Agnus Dei, ca. 1635–40, Oil on canvas, 38 × 56 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/efbb0e10-ef2e-47e6-ba55-9739322c8eeb/CeciliaMaderno.jpg</image:loc>
      <image:title>Magazine - We Could Have Lost Francisco de Zurbarán by William Davie - Make it stand out</image:title>
      <image:caption>The Martyrdom of Saint Cecilia (1600) by Stefano Maderno, Basilica di Santa Cecilia in Trastevere, Rome</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/reflections-for-now-barbican-carrie-weems-by-sue-hubbard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/e9e88b5e-41c4-415e-94a1-36658920a2ca/14.+Carrie+Mae+Weems%2C+Painting+the+Town+%233%2C+2021.jpg</image:loc>
      <image:title>Magazine - Reflections for Now - Carrie Mae Weems at the Barbican by Sue Hubbard - Make it stand out</image:title>
      <image:caption>Painting the Town #3, 2021 © Carrie Mae Weems. Courtesy of the artist, Jack Shainman Gallery, New York / Galerie Barbara Thumm, Berlin</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/c1d5f832-2c51-4bab-850b-bda0b607c73d/04.+Carrie+Mae+Weems%2C+A+Scientific+Profile+Quad+with+Oval+Frame%2C+1995-96.jpg</image:loc>
      <image:title>Magazine - Reflections for Now - Carrie Mae Weems at the Barbican by Sue Hubbard - Make it stand out</image:title>
      <image:caption>You Became A Scientific Profile; A Negroid Type; An Anthropological Debate; and &amp; A Photographic Subject from From Here I Saw What Happened and I Cried, 1995-96 © Carrie Mae Weems. Courtesy of the artist, Jack Shainman Gallery, New York / Galerie Barbara Thumm, Berlin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/aa27eb6f-8482-4b70-8959-949e1f8da5d9/03.+Untitled+%28Woman+and+Daughter+with+Make+Up%29+from+Kitchen+Table+Series%2C+1990.jpg</image:loc>
      <image:title>Magazine - Reflections for Now - Carrie Mae Weems at the Barbican by Sue Hubbard - Make it stand out</image:title>
      <image:caption>Untitled (Woman and Daughter with Make Up) from Kitchen Table Series, 1990 © Carrie Mae Weems. Courtesy of the artist, Jack Shainman Gallery, New York / Galerie Barbara Thumm, Berlin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/0d7739a7-626c-41b9-8fa5-5f3d4845c537/08.+Carrie+Mae+Weems%2C+still+from+The+Shape+of+Things_+A+Video+in+7+Parts%2C+2021.jpeg</image:loc>
      <image:title>Magazine - Reflections for Now - Carrie Mae Weems at the Barbican by Sue Hubbard - Make it stand out</image:title>
      <image:caption>Still from The Shape of Things: A Video in 7 Parts, 2021 © Carrie Mae Weems. Courtesy of the artist, Jack Shainman Gallery, New York / Galerie Barbara Thumm, Berlin</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/collective-dreaming-and-action-at-the-centre-for-contemporary-arts-glasgow</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/7a840f09-8c27-499c-b8a3-6ed0edbae374/Picture+1.png</image:loc>
      <image:title>Magazine - Collective Dreaming at the Centre for Contemporary Arts, Glasgow by Nastia Svarevska - Make it stand out</image:title>
      <image:caption>Visual design by Urtė Račiūnaitė / @raciunaitee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/bde6752f-1807-4be3-b7bb-77edcdf7496e/Picture+2.png</image:loc>
      <image:title>Magazine - Collective Dreaming at the Centre for Contemporary Arts, Glasgow by Nastia Svarevska - Make it stand out</image:title>
      <image:caption>The Bearers of Memory, film still, 2020, image courtesy of the artist, Miglė Križinauskaitė-Bernotienė</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/9df86b59-d356-4a6f-bc57-c67d78c6bf03/Picture+3.png</image:loc>
      <image:title>Magazine - Collective Dreaming at the Centre for Contemporary Arts, Glasgow by Nastia Svarevska - Make it stand out</image:title>
      <image:caption>Halo Nevus, video still, 2018, image courtesy of the artist, Tako Taal,</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/38648639-7219-4dfa-b025-8fabb24fb7a3/Picture+4.png</image:loc>
      <image:title>Magazine - Collective Dreaming at the Centre for Contemporary Arts, Glasgow by Nastia Svarevska - Make it stand out</image:title>
      <image:caption>kitchen.blend, video still, 2021, image courtesy of the artist, Nataliya Ilchuk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/776f09ea-27a4-4d82-981e-e8e230d2cf02/Picture+5.png</image:loc>
      <image:title>Magazine - Collective Dreaming at the Centre for Contemporary Arts, Glasgow by Nastia Svarevska - Make it stand out</image:title>
      <image:caption>Roots, film still, 2021, image courtesy of the artist, Jonas Juškaitis</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/204df32b-4fcc-4b3a-a691-ab5e60d11f1b/Picture+6.png</image:loc>
      <image:title>Magazine - Collective Dreaming at the Centre for Contemporary Arts, Glasgow by Nastia Svarevska - Make it stand out</image:title>
      <image:caption>A love, film still, 2021, image courtesy of the artist, Anne-Marie Copestake</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/0e2cc7c5-bdc6-46d6-8efb-469d9e2ef235/Picture+7.png</image:loc>
      <image:title>Magazine - Collective Dreaming at the Centre for Contemporary Arts, Glasgow by Nastia Svarevska - Make it stand out</image:title>
      <image:caption>Dear Friend, video still, 2019, image courtesy of the artist, Agnė Jokšė</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/shara-hughes-alice-godwin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/48acba1a-b1f5-4a72-a66c-eec2b4b07ff8/HUGH+2022050+Collide.jpg</image:loc>
      <image:title>Magazine - Shara Hughes: ‘Right This Way’ by Alice Godwin - Make it stand out</image:title>
      <image:caption>Shara Hughes, Collide, 2022, Oil, acrylic and dye on canvas, Courtesy the artist, Pilar Corrias, London, David Kordansky Gallery, and Galerie Eva Presenhuber.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/496e8467-38c0-4e96-a60f-3b737a3655a3/HUGH+2021014+We_re+Still+in+The+Weeds.jpg</image:loc>
      <image:title>Magazine - Shara Hughes: ‘Right This Way’ by Alice Godwin - Make it stand out</image:title>
      <image:caption>Shara Hughes, We’re Still in The Weeds, 2021, Oil and acrylic on canvas 243.8 x 182.9 cm / 96 x 72 in, Courtesy the artist, Pilar Corrias, London, David Kordansky Gallery, and Galerie Eva Presenhuber</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/4546f34d-fa31-42ff-88c7-eb889dbd6e97/HUGH+2023001+Growing+Pains.jpg</image:loc>
      <image:title>Magazine - Shara Hughes: ‘Right This Way’ by Alice Godwin - Make it stand out</image:title>
      <image:caption>Shara Hughes Growing Pains, 2022 Oil, acrylic and dye on canvas, 221 x 198.1 cm / 87 x 78 in, Courtesy the artist, Pilar Corrias, London, David Kordansky Gallery, and Galerie Eva Presenhuber</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/hinterlands-at-baltic-by-anastasija-svarevska</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/4a827667-c51f-4c68-bc69-b54f53dac426/IMG_3865.jpg</image:loc>
      <image:title>Magazine - Hinterlands,Baltic - Make it stand out</image:title>
      <image:caption>Sabina Sallis. Apparatus for Resurgence in Trophllaxis: Greetings from the Mother of Herbs, 2019 – ongoing.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/60f7d386-68d6-4de4-97c1-848e2a3ca3f5/IMG_3880.jpg</image:loc>
      <image:title>Magazine - Hinterlands,Baltic - Make it stand out</image:title>
      <image:caption>Sheree Angela Matthews, The Country Journal of a Blackwoman (Northumberland), 2022.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/204c063a-d54e-4362-b80e-4fa98ecfc3aa/IMG_3893.jpg</image:loc>
      <image:title>Magazine - Hinterlands,Baltic - Make it stand out</image:title>
      <image:caption>Dawn Felicia Knox with Anastasia Clarke. The Felling, 2022.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/5c073db6-977b-4f32-bfdb-4072a083ac36/IMG_3903.jpg</image:loc>
      <image:title>Magazine - Hinterlands,Baltic - Make it stand out</image:title>
      <image:caption>Laura Harrington. Fieldworking, 2020.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/title-tbc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-28</lastmod>
  </url>
  <url>
    <loc>https://www.doris.press/blog/mike-nelson-and-object-articulationby-elaine-ml-tam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/dbd38c8b-ad51-478e-b8c0-f8d5f29a7dff/Installation+view+of+Mike+Nelson%2C+The+Deliverance+and+The+Patience%2C+interior%2C+2001.+Various+materials.+Various+materials.+Photo+Liam+Harrison.+Courtesy+the+artist+and+the+Hayward+Gallery%281%29+copy.jpeg</image:loc>
      <image:title>Magazine - Mike Nelson and ‘object articulation’ by Elaine Tam - Make it stand out</image:title>
      <image:caption>Installation view of Mike Nelson, The Deliverance and The Patience, interior, 2001. Various materials. Photo: Liam Harrison. Courtesy the artist and the Hayward Gallery.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/dbb926b5-44ba-4ef1-876b-d60a981b8dce/Installation+view+of+Mike+Nelson%2C+The+Deliverance+and+The+Patience%2C+interior%2C+2001.+Various+materials.+Various+materials.+Photo+Liam+Harrison.+Courtesy+the+artist+and+the+Hayward+Gallery+%281%29.jpg</image:loc>
      <image:title>Magazine - Mike Nelson and ‘object articulation’ by Elaine Tam - Make it stand out</image:title>
      <image:caption>Installation view of Mike Nelson, The Deliverance and The Patience, interior, 2001. Various materials. Photo: Liam Harrison. Courtesy the artist and the Hayward Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/2bbd2844-0dea-4eac-bed3-e6832daa8a39/Installation+view+of+Mike+Nelson%2C+I%2C+IMPOSTER+%28the+darkroom%29%2C+2011.+Various+materials.+Photo+Matt+Greenwood.+Courtesy+the+artist+and+the+Hayward+Gallery.jpg</image:loc>
      <image:title>Magazine - Mike Nelson and ‘object articulation’ by Elaine Tam - Make it stand out</image:title>
      <image:caption>Installation view of Mike Nelson, I, IMPOSTER (the darkroom), 2011. Various materials. Photo: Matt Greenwood. Courtesy the artist and the Hayward Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/5222fbc3-d58b-4bdd-8471-1a68d7b39b4f/Installation+view+of+Mike+Nelson%2C+The+Deliverance+and+The+Patience%2C+exterior%2C+2001.+Various+materials.+Various+materials.+Photo+Liam+Harrison.+Courtesy+the+artist+and+the+Hayward+Gallery.jpg</image:loc>
      <image:title>Magazine - Mike Nelson and ‘object articulation’ by Elaine Tam - Make it stand out</image:title>
      <image:caption>Installation view of Mike Nelson, The Deliverance and The Patience, exterior, 2001. Various materials. Photo: Liam Harrison. Courtesy the artist and the Hayward Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/ac479285-ede8-4db0-bc51-a2325a9a04f5/Installation+view+of+Mike+Nelson%2C+I%2C+IMPOSTER%2C+2011.+Various+materials.+Photo+Matt+Greenwood.+Courtesy+the+artist+and+the+Hayward+Gallery+%281%29.jpg</image:loc>
      <image:title>Magazine - Mike Nelson and ‘object articulation’ by Elaine Tam - Make it stand out</image:title>
      <image:caption>Installation view of Mike Nelson, I, IMPOSTER, 2011. Various materials. Photo: Matt Greenwood. Courtesy the artist and the Hayward Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/0c65fd1b-4966-470f-b445-c1a9c13b49f1/Installation+view+of+Mike+Nelson%2C+Triple+Bluff+Canyon+%28the+projection+room%29%2C+2004.+Various+materials.+Photo+Matt+Greenwood.+Courtesy+the+artist+and+the+Hayward+Gallery.jpg</image:loc>
      <image:title>Magazine - Mike Nelson and ‘object articulation’ by Elaine Tam - Make it stand out</image:title>
      <image:caption>Installation view of Mike Nelson, Triple Bluff Canyon (the projection room), 2004. Various materials. Photo: Matt Greenwood. Courtesy the artist and the Hayward Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/the-public-process</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/ff197d75-bbeb-45a3-bfa1-36585f289a6a/SCHDA0276_REPRO.jpg</image:loc>
      <image:title>Magazine - Public Process, the art of Dana Schutz by Alice Godwin - Make it stand out</image:title>
      <image:caption>Dana Schutz, The Public Process. 2022. Oil on canvas, 289.6 × 579.1 cm. Courtesy the artist. © Dana Schutz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/f92367a8-8af8-4b25-ae5c-611f7273384d/SCH+18_033.jpg</image:loc>
      <image:title>Magazine - Public Process, the art of Dana Schutz by Alice Godwin - Make it stand out</image:title>
      <image:caption>Dana Schutz, Mountain Group, 2018. Oil on canvas, 304.8 × 396.2 cm. Collection of Marguerite Steed Hoffma. © Dana Schutz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/300e3895-4876-468c-aa45-3244a9e844ab/SCH+04_004.jpg</image:loc>
      <image:title>Magazine - Public Process, the art of Dana Schutz by Alice Godwin - Make it stand out</image:title>
      <image:caption>Dana Schutz, Twin Parts, 2004. Oil on canvas, 198.1 × 182.9 cm. Private property © Dana Schutz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1d981369-a3cf-41ab-8c45-62b34e1e481c/SCHDA0095_PETZEL.jpg</image:loc>
      <image:title>Magazine - Public Process, the art of Dana Schutz by Alice Godwin - Make it stand out</image:title>
      <image:caption>Dana Schutz, The Visible World, 2018. Oil on canvas, 274.3 × 355.6 cm. Private property © Dana Schutz</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/8vyh7zezga23d9ffywvd3froqqqis9</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/2d26f910-41e0-428c-8dcc-45b57813b95e/EC.jpg</image:loc>
      <image:title>Magazine - Radium Dreams on the life of Marie Curie. - Make it stand out</image:title>
      <image:caption>A Helping Hand, 2022. Charcoal, pastel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/fc412603-4b12-4fb8-8f6b-8422ef238936/EC2.jpg</image:loc>
      <image:title>Magazine - Radium Dreams on the life of Marie Curie. - Make it stand out</image:title>
      <image:caption>Radium Dreams, 2022. Collage, drawing, ink, pastel, screenprint.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/olga-ravn-an-enraptured-year-nbspnbspnbspnbspnbspnbsp-by-malene-engelund</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/d18f08d9-38cb-4097-9d6d-969d60b3839a/Et+henf%C3%B8rt+%C3%A5r_Olga+Ravn_K%C3%98S_003_Photo+by++David+Stjernholm.jpg</image:loc>
      <image:title>Magazine - Olga Ravn: An Enraptured Year by Malene Engelund</image:title>
      <image:caption>Photo: David Stjernholm</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/letters-to-a-young-poetess-interview-with-penny-goring</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/04f5dc01-3caf-4f85-815c-6030b18afd06/tumblr_aa357acff961761da263b97117d76b7c_e872b0a2_1280.jpg</image:loc>
      <image:title>Magazine - Letters to a Young Poetess: interview with Penny Goring - Make it stand out</image:title>
      <image:caption>F U, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/9bf0da98-39e7-4803-b95e-7ce246d78c73/tumblr_75be0e35a77dfa6177cce0be0abe42b3_79bf7b11_640.jpg</image:loc>
      <image:title>Magazine - Letters to a Young Poetess: interview with Penny Goring - Make it stand out</image:title>
      <image:caption>Forever Doll (Liar/Liar), 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/03ac2b9b-78e6-4a10-af81-72a102a1fa18/penny1.jpg</image:loc>
      <image:title>Magazine - Letters to a Young Poetess: interview with Penny Goring - Make it stand out</image:title>
      <image:caption>‘Fear’, 2015</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/note-51-1120am-are-all-dentists-sadists-elaine-tam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/59595905-9910-4d26-bdb4-4b571bdd368d/Note+51.png</image:loc>
      <image:title>Magazine - Note 51, 11:20am - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/life-or-theatre-animated-a-review-of-charlotte-directed-by-tahir-rana-and-ric-warin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/8d185c73-4d12-48ef-8d02-c05cfdad5029/gouache_4155_titelblatt.jpg</image:loc>
      <image:title>Magazine - Life? or Theatre? (animated): a review of Charlotte, directed by Tahir Rana and Éric Warin - painted/written page of: Life? or Theatre?: A Song-play gouache on paper; Charlotte Salomon, 1940-42</image:title>
      <image:caption>.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/f5842dd8-c418-42b1-bc76-f42ee2ddd9e5/image.jpeg</image:loc>
      <image:title>Magazine - Life? or Theatre? (animated): a review of Charlotte, directed by Tahir Rana and Éric Warin</image:title>
      <image:caption>A promotional film poster from Charlotte, 2021, directed by Tahir Rana and Éric Warin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/32be3cd0-161a-41df-9798-4b14d78b12f8/gouache_4175_mutter.jpg</image:loc>
      <image:title>Magazine - Life? or Theatre? (animated): a review of Charlotte, directed by Tahir Rana and Éric Warin - page of: Life? or Theatre?: A Song-play, gouache on paper; Charlotte Salomon, 1940-42.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/cd9471bc-41a6-4cba-b0f6-40d628c5c60f/500.jpeg</image:loc>
      <image:title>Magazine - Life? or Theatre? (animated): a review of Charlotte, directed by Tahir Rana and Éric Warin - page of: Life? or Theatre?: A Song-pay, gouache on paper; Charlotte Salomon, 1940-42</image:title>
      <image:caption>page of: Life? or Theatre?: A Song-pay, gouache on paper; Charlotte Salomon, 1940-42</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/f7ac1f8e-9b75-4f3b-b32f-314040d01466/Screenshot+2022-12-15+at+20.36.13.png</image:loc>
      <image:title>Magazine - Life? or Theatre? (animated): a review of Charlotte, directed by Tahir Rana and Éric Warin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/jim1x8h4o9nmg35yh8ae5fheodubto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/f1614742-2523-45e8-875f-3f0be883ce3f/image_67162625.JPG</image:loc>
      <image:title>Magazine - Eurydice by Sue Hubbard - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/hkb53c4buvcxje7r31ycmzefjthqds</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/c92ed674-3d34-4698-8ed6-88b67407b182/Note+28.png</image:loc>
      <image:title>Magazine - Note 28, 10:57pm - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/interview-with-serafima-bresler-russian-artist-on-the-war-and-making-art-with-ukrainian-refugees</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/33ba2fbb-d71b-4db5-98c0-3115ea4a987f/workshop6.jpg</image:loc>
      <image:title>Magazine - &amp;nbsp;Nastia Svarevska&lt;/a&gt; interviews Serafima Bresler: Russian artist on the war and making art with Ukrainian refugees - Make it stand out</image:title>
      <image:caption>Art Workshops for Refugees, Hamburg, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/2b5f5eb8-378d-474d-bb46-a446380fa5b4/IMG_0179-2.jpg</image:loc>
      <image:title>Magazine - &amp;nbsp;Nastia Svarevska&lt;/a&gt; interviews Serafima Bresler: Russian artist on the war and making art with Ukrainian refugees - Make it stand out</image:title>
      <image:caption>Installation view of What happened there? at HFBK, Hamburg, 2022. Home, 70 x 115 cm, drypoint on primed fabrics, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/69ac2c7f-e4c3-4f53-9284-dacef8ab0620/BBF658DC-DF6F-4781-8A2B-C417BD146590_JPG.jpg</image:loc>
      <image:title>Magazine - &amp;nbsp;Nastia Svarevska&lt;/a&gt; interviews Serafima Bresler: Russian artist on the war and making art with Ukrainian refugees - Make it stand out</image:title>
      <image:caption>Installation view of What happened there? at HFBK, Hamburg, 2022. Home, 70 x 115 cm, drypoint on primed fabrics, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/f391c6f3-ebfd-4856-b2ec-aa73f2e35c0d/kdk+exhibition+2.jpg</image:loc>
      <image:title>Magazine - &amp;nbsp;Nastia Svarevska&lt;/a&gt; interviews Serafima Bresler: Russian artist on the war and making art with Ukrainian refugees - Make it stand out</image:title>
      <image:caption>Installation view of Everything Not Saved Will be Lost at Klub der Künste, Hamburg, 2022.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/gyy153tmbjiokap7bkkzr42t1a1i52</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/65cf0ac1-af8a-4d59-8b86-7e12390702dc/Jad%C3%A9-Fadojutimi-The-Empress-Of-The-Plants-2022-resized-scaled.jpg</image:loc>
      <image:title>Magazine - Jadé Fadojutimi: Can we see the colour green because we have a name for it? at The Hepworth, Wakefield, UK - Make it stand out</image:title>
      <image:caption>JADÉ FADOJUTIMI, The Empress of the Plants, 2022. 300 x 800 cm, Acrylic, oil and oil pastels on canvas. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/b95b2cff-1642-4a73-b3cc-22b1fcfef00a/jf_body_3.1.jpg</image:loc>
      <image:title>Magazine - Jadé Fadojutimi: Can we see the colour green because we have a name for it? at The Hepworth, Wakefield, UK - Make it stand out</image:title>
      <image:caption>A Permeable Existence, 2022. 190 x 170 cm, Acrylic, oil and oil pastels on canvas. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/je6t5avsaqeiuwvbpxsrfdmfpm88as</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/b40cefdf-61b8-4c94-b9ff-0a39d134c829/5.-Hyundai-Commission-Cecilia-Vicuna-Photo-%C2%A9-Tate-Sonal-Bakrania-1230x1858.jpeg</image:loc>
      <image:title>Magazine - Brain Forest Quipu, Cecilia Vicuña, Tate Modern, Turbine Hall - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/otto-volte-duea-window-into-contemporary-romagna-photography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/a02e98d2-077e-4249-8239-c244075aa1a4/Nicola-Baldazzi-Febbraio--2020.jpeg</image:loc>
      <image:title>Magazine - Otto volte due: A window into contemporary Romagna photography by Isabelle Young - Make it stand out</image:title>
      <image:caption>Nicola Baldazzi, Febbraio, 2020, c-type hand print on Fujicolor Crystal Archive paper, 18 x 18 cm (Image Courtesy Nicola Baldazzi and Large Glass, London)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/71696d43-a074-4970-9746-bcdc651ee79e/Marcello+Galvani-Bologna%2C+01.05.2018_web.jpg</image:loc>
      <image:title>Magazine - Otto volte due: A window into contemporary Romagna photography by Isabelle Young - Make it stand out</image:title>
      <image:caption>Marcello Galvani, ‘Bologna, 01.05.2018’ 2018, C-type hand print on Fujicolor Crystal Archive paper, 19.5 x 24.5 cm (Image Courtesy Marcello Galvani and Large Glass, London)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/f8208563-b893-4d07-833f-ff216499e68d/Francesco-Neri-Sorrento--2.04.2011.jpg</image:loc>
      <image:title>Magazine - Otto volte due: A window into contemporary Romagna photography by Isabelle Young - Make it stand out</image:title>
      <image:caption>Francesco Neri, Faenza, 2.04.2011, 2011, C-type hand print on Fujicolor Crystal Archive paper, 19.5 x 24.5 cm (Image Courtesy Francesco Neri and Large Glass, London)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/54102797-22e7-4ab3-bdd6-cb25bbb35090/13-Otto+volte+due_install13_photo+Stephen+White+and+Co.jpg</image:loc>
      <image:title>Magazine - Otto volte due: A window into contemporary Romagna photography by Isabelle Young - Make it stand out</image:title>
      <image:caption>Installation view Otto volte due, Large Glass, London, 2022 (Photo: Stephen White and Co)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/7d63c601-0792-4e0f-9514-3d7c232f75b8/7-Otto+volte+due_install7_photo+Stephen+White+and+Co.jpg</image:loc>
      <image:title>Magazine - Otto volte due: A window into contemporary Romagna photography by Isabelle Young - Make it stand out</image:title>
      <image:caption>Installation view Otto volte due, Large Glass, London, 2022 (Photo: Stephen White and Co)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/4d0163bb-f0db-43f4-ace7-3a44f81ac593/Alessandra+Dragoni+%E2%80%98Clara%E2%80%99+2015.jpg</image:loc>
      <image:title>Magazine - Otto volte due: A window into contemporary Romagna photography by Isabelle Young - Alessandra Dragoni, Clara, 2015, C-type hand print on Fujicolor Crystal Archive paper, 20 x 20 cm, (Image Courtesy Alessandra Dragoni and Large Glass, London)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/637e0196-bcaf-4bbe-b2b4-8b56b6d32a15/Luca-Nostri-Piazza-Baracca--Lugo--2020.jpeg</image:loc>
      <image:title>Magazine - Otto volte due: A window into contemporary Romagna photography by Isabelle Young - Luca Nostri, Piazza Baracca, Lugo, 2020, 2020, C-type hand print on Fujicolor Crystal Archive paper, 18 x 26 cm (Image Courtesy Luca Nostri and Large Glass, London)</image:title>
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      <image:title>Magazine - Otto volte due: A window into contemporary Romagna photography by Isabelle Young - Cesare Fabbri, San Sperate, Cagliari, 2019, C-type hand print on Fujicolor Crystal Archive paper, 15.2 x 15 cm (Image Courtesy Cesare Fabbri and Large Glass, London)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/850b997e-0e9e-41e4-9c77-762ae0553fbd/Guido-Guidi_Ronta-gennaio--1988.jpeg</image:loc>
      <image:title>Magazine - Otto volte due: A window into contemporary Romagna photography by Isabelle Young - Guidi, Ronta, gennaio, 1998 , C-type hand print on Fujicolor Crystal Archive paper (Image Courtesy Guido Guidi and Large Glass, London)</image:title>
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  </url>
  <url>
    <loc>https://www.doris.press/blog/interview-with-sabine-sne-latvian-history-nature-and-contemporary-art-scene</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/68eedcbb-7dae-492f-86a1-63c29852e349/6_Sabine_Sne.jpg</image:loc>
      <image:title>Magazine - Interview with Sabine Sne: Latvian history, nature and contemporary art scene - Make it stand out</image:title>
      <image:caption>Installation view of Lift Up Your Yellow Crown at the Contemporary Art Festival Survival Kit 13. ‘The little bird must be caught’ curated by iLiana Fokianaki, 2022. Photo: Ēriks Božis</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/a4a6cb9e-be54-4b40-97c5-5c802700dc2f/1_Sabine_Sne.JPG</image:loc>
      <image:title>Magazine - Interview with Sabine Sne: Latvian history, nature and contemporary art scene - Make it stand out</image:title>
      <image:caption>Installation view of solo show Partner, Parasite at KIM? Contemporary Art Centre, curated by Zane Onckule, 2022. Photo: Ansis Starks. Installation view of solo show Partner, Parasite at KIM? Contemporary Art Centre, curated by Zane Onckule, 2022. Photo: Ansis Starks</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/64ce472e-7c23-4449-ac73-838379712b57/2_Sabine_Sne.JPG</image:loc>
      <image:title>Magazine - Interview with Sabine Sne: Latvian history, nature and contemporary art scene - Make it stand out</image:title>
      <image:caption>Installation view of solo show Partner, Parasite at KIM? Contemporary Art Centre, curated by Zane Onckule, 2022. Photo: Ansis Starks</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/33i1ra9v4kp49iui54hrxue42759bo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/bebb21cd-7456-48f0-9cd8-5883d8375113/Lindsey+Mendick+-+DSCF2538.jpg</image:loc>
      <image:title>Magazine - Burn, baby, burn on Lindsey Mendick by Elaine Tam - Make it stand out</image:title>
      <image:caption>Installation view: Lindsey Mendick, ‘Off With Her Head’ (3 July – 28 August 2022). Courtesy of Carl Freedman Gallery, Margate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/626bc607-f571-4b3d-b950-a19c18c0e1a0/Lindsey+Mendick+-+DSCF2564.jpg</image:loc>
      <image:title>Magazine - Burn, baby, burn on Lindsey Mendick by Elaine Tam - Make it stand out</image:title>
      <image:caption>Installation view: Lindsey Mendick, ‘Off With Her Head’ (3 July – 28 August 2022). Courtesy of Carl Freedman Gallery, Margate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/ba0bb60c-0f06-4915-b0ea-6b4927b43827/LM083_Lindsey+Mendick_I+Drink+To+You+Elizabeth_2022+2.jpg</image:loc>
      <image:title>Magazine - Burn, baby, burn on Lindsey Mendick by Elaine Tam - Make it stand out</image:title>
      <image:caption>I Drink To You Elizabeth (2022), Ceramic, faux feather and LEDs, 20 x 58 x 42 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/5b2a66e3-0864-48ce-992e-f2f7397d91b9/LM112_Lindsey+Mendick_I+Drink+To+You+Tracey_2022+1.jpg</image:loc>
      <image:title>Magazine - Burn, baby, burn on Lindsey Mendick by Elaine Tam - Make it stand out</image:title>
      <image:caption>I Drink To You Tracey (2022), Mixed media, 20 x 44 x 31 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/3692f44f-e664-44e0-a5cc-73ae50b50ebc/LM117_Lindsey+Mendick_I+Drink+To+You+Judith+and+Artemisia_2022+1.jpg</image:loc>
      <image:title>Magazine - Burn, baby, burn on Lindsey Mendick by Elaine Tam - Make it stand out</image:title>
      <image:caption>I Drink To You Judith and Artemisia (2022), Mixed media, 39 x 38 x 51 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/5424c02d-d948-455b-9fc4-0543ca1e527c/Lindsey+Mendick+-+DSCF2549.jpg</image:loc>
      <image:title>Magazine - Burn, baby, burn on Lindsey Mendick by Elaine Tam - Make it stand out</image:title>
      <image:caption>installation view: Lindsey Mendick, ‘Off With Her Head’ (3 July - 28 August 2022). Courtesy of Carl Freedman Gallery, Margate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/5fca61ba-3838-488b-b223-7830d1b2e2c8/LM080_Lindsey+Mendick_I+Drink+To+You+Pandora+%28Cockroach+Invasion%29_2022+2.jpg</image:loc>
      <image:title>Magazine - Burn, baby, burn on Lindsey Mendick by Elaine Tam - Make it stand out</image:title>
      <image:caption>I Drink to You Pandora (Cockroach Invasion) (2022), Ceramic and tissue box, 33 x 20 x 15 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/043f49b4-476a-410f-81a9-ad8929afe8ec/Lindsey+Mendick+-+DSCF2557.jpg</image:loc>
      <image:title>Magazine - Burn, baby, burn on Lindsey Mendick by Elaine Tam - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/e1319af0-1a0a-489f-a862-59a7418ca9b0/Lindsey+Mendick+-+DSCF2417.JPG</image:loc>
      <image:title>Magazine - Burn, baby, burn on Lindsey Mendick by Elaine Tam - Make it stand out</image:title>
      <image:caption>Installation views: Lindsey Mendick, ‘Off With Her Head’ (3 July – 28 August 2022). Courtesy of Carl Freedman Gallery, Margate</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/i9u2h5x8pgdcgiwmtlbqajjlhnpyvu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/a40a7c8f-6750-4ca8-b5e4-20e43f427679/Romancing+the+sink+%C2%A9+Shark+Senesac.jpg</image:loc>
      <image:title>Magazine - Danica Lundy’s Stop Bath at White Cube by Molly Hunloke - Make it stand out</image:title>
      <image:caption>Romancing the sink (2022). Oil on canvas. 183 x 122 cm. Courtesy of White Cube</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/regarding-the-memories-of-others</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/89ce91a6-8ed8-452d-a179-e20756ba3a5a/Picture+1.png</image:loc>
      <image:title>Magazine - Regarding the Memories of Others by Sofi Naufal - Make it stand out</image:title>
      <image:caption>My grandmother Amal, 1956, Beirut</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/ee09741a-5834-46d2-8873-eacc2666aff9/Picture+2.png</image:loc>
      <image:title>Magazine - Regarding the Memories of Others by Sofi Naufal - Make it stand out</image:title>
      <image:caption>‘A Journey’, 2006, Lamia Joreige</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/0ffcfc14-75c9-42fe-9ba5-bfd21815e04d/Picture+3.png</image:loc>
      <image:title>Magazine - Regarding the Memories of Others by Sofi Naufal - Make it stand out</image:title>
      <image:caption>‘Here and Perhaps Elsewhere’, 2003, Lamia Joreige</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/59b11841-b13a-495d-94e0-e2525a1cd3b5/Picture+4.png</image:loc>
      <image:title>Magazine - Regarding the Memories of Others by Sofi Naufal - Make it stand out</image:title>
      <image:caption>Racha Salti’s Walkman taken from Objects of War, 2003</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/milton-avery-american-colourist-by-sue-hubbard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/03958cdc-52e9-476e-9cbd-a415a74ab339/Avery%2C%2BTwo%2BFigures%2Bon%2BBeach%2B%28overall%29.jpeg</image:loc>
      <image:title>Magazine - Milton Avery, American Colourist by Sue Hubbard - Make it stand out</image:title>
      <image:caption>Milton Avery, Two Figures on Beach. Milton Avery, oil on canvas, 30 by 40 inches, (76.2 by 101.6 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/90d9a8a1-bbf1-46b7-b735-966c775bd28b/b6e5016ee1f04eb7b9a3bfc3723422b4d9cc62f5-2000x2628.jpg</image:loc>
      <image:title>Magazine - Milton Avery, American Colourist by Sue Hubbard - Make it stand out</image:title>
      <image:caption>Milton Avery, March in Babushka, 1944. Oil on canvas, 34 x 26 inches. Private collection. © 2021 Milton Avery Trust / Artists Rights Society (ARS), New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/8f8a065e-dcfe-4b83-8f32-aedee87d3f03/Hubby+and+wifey.jpg</image:loc>
      <image:title>Magazine - Milton Avery, American Colourist by Sue Hubbard - Make it stand out</image:title>
      <image:caption>Milton Avery, Husband and Wife, 1945. Oil on canvas, 85.7 x 111.8 cm. Wadsworth Atheneum Museum of Art, Hartford, Connecticut. Gift of Mr and Mrs Roy R. Neuberger, Photo: Allen Phillips/Wadsworth Atheneum, © 2022 Milton Avery Trust / Artists Rights Society (ARS), New York and DACS, London 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/f833e83f-5458-41cd-b5c6-41ab6d8e1916/key+69.jpg</image:loc>
      <image:title>Magazine - Milton Avery, American Colourist by Sue Hubbard - Make it stand out</image:title>
      <image:caption>Milton Avery, Black Sea, 1959. Oil on canvas, 127 x 172.1 cm. The Phillips Collection, Washington, DC. © 2022 Milton Avery Trust / Artists Rights Society (ARS), New York and DACS, London 2022</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/the-master-of-saint-sulpice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/3ed95bb9-6d67-4e98-87f9-6e4f884cb8ae/Image+11-07-2022+at+09.22.jpg</image:loc>
      <image:title>Magazine - The Master of Saint Sulpice - William Davie - Make it stand out</image:title>
      <image:caption>Le petit camp à Buchenwald, 1945 © Bertrand Prévost - Centre Pompidou, MNAM-CCI /Dist. RMN-GP</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/walter-sickert-at-tate-britain-sue-hubbard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/e282abef-01b4-4841-824a-c1d8826bacf0/N04651_9.jpg</image:loc>
      <image:title>Magazine - Walter Sickert at Tate Britain by Sue Hubbard - Make it stand out</image:title>
      <image:caption>Turpe Senex Miles Turpe Senilis Amour, 1930, Oil on canvas, 63.5 × 76.2 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/d847707a-e06b-4617-b472-506079eb4d35/ES_BRHM_BNS_068_001-001.jpg</image:loc>
      <image:title>Magazine - Walter Sickert at Tate Britain by Sue Hubbard - Make it stand out</image:title>
      <image:caption>The Laundry Shop, Dieppe, France, 1885, oil on canvas, 50.2 x 39.4 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/b9165ff0-661b-45d3-97f7-529ce6affcfb/Sickert_web-1024x838.jpg</image:loc>
      <image:title>Magazine - Walter Sickert at Tate Britain by Sue Hubbard - Make it stand out</image:title>
      <image:caption>The Rose Shoe, c.1904, oil on canvas, 38 x 46 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/79d3df31-5996-46c4-9bd5-1a6705815ae2/595_9.jpg</image:loc>
      <image:title>Magazine - Walter Sickert at Tate Britain by Sue Hubbard - Make it stand out</image:title>
      <image:caption>The Camden Town Murder or What Shall We Do about the Rent? oil on canvas, 25.6 × 35.6 cm, c.1908</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/ohsh-projects-interview-with-doris</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/72ee8e18-76ee-4d59-83ac-6cb8efe7b81d/OHSH_Dreamlands-part-1_Install-Shot.jpg</image:loc>
      <image:title>Magazine - OHSH PROJECTS: an interview with Henry Hussey and Sophia Olver - Make it stand out</image:title>
      <image:caption>Dreamlands Installation (Sept – Oct 2021)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/190bb5d9-0cc2-44b8-be62-0f67ed0bad02/OHSH_Economy-of-Errors_Install-shot_basement.jpg</image:loc>
      <image:title>Magazine - OHSH PROJECTS: an interview with Henry Hussey and Sophia Olver - Make it stand out</image:title>
      <image:caption>Economy of Errors Installation/basement (the first exhibition - April 2021)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/813d842f-acc4-4f45-93e9-c9b6a006bb0e/OHSH_Still-Life-Life-Still_Install-shot.jpg</image:loc>
      <image:title>Magazine - OHSH PROJECTS: an interview with Henry Hussey and Sophia Olver - Make it stand out</image:title>
      <image:caption>Still Life Life Still, Installation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/824bf495-d558-426e-bb10-40b2f3466b52/OHSH-PROJECTS_POST-TOTEM_INSTALL-SHOT.jpg</image:loc>
      <image:title>Magazine - OHSH PROJECTS: an interview with Henry Hussey and Sophia Olver - Make it stand out</image:title>
      <image:caption>Post-Totem Installation May 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/5cf83a35-ba08-45e5-a63f-d68ee773ddd5/OHSH_Mit-Jai-Inn_Install-Shot_1.jpg</image:loc>
      <image:title>Magazine - OHSH PROJECTS: an interview with Henry Hussey and Sophia Olver - Make it stand out</image:title>
      <image:caption>Mit-Jai-Inn Installation installation 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/c88bb62e-e040-47c8-ae69-8ce2680c9e39/Becky+Tucker_Gambrel%2C+2022%2C+Glazed+stoneware%2C+faux+syede%2C+wood%2C+steel%2C+180x140x60cm.png</image:loc>
      <image:title>Magazine - OHSH PROJECTS: an interview with Henry Hussey and Sophia Olver - Make it stand out</image:title>
      <image:caption>Becky Tucker - Gambrel, 2022, Glazed stoneware, faux syede, wood, steel, 180 x 140 x 60cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/beef648e-a31c-430e-896d-9f0e7aaa1153/Justin+Mortimer%2C+Djinn+II%2C+2015%2C+Oil+on+canvas%2C+40.5+x+30+cm.jpg</image:loc>
      <image:title>Magazine - OHSH PROJECTS: an interview with Henry Hussey and Sophia Olver - Make it stand out</image:title>
      <image:caption>Justin Mortimer, Djinn II, 2015, Oil on canvas, 40.5 x 30 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/35f9eb71-efba-469b-9fd3-bb3fc9a2ded7/Jo+Dennis%2C+Is+Dad+Home%2C+2021%2C+Oil%2C+household%2C+acrylic+and+spray+paint+on+found+object%3B+Army+surplus+tent%2C+240+x+370+cm.jpg</image:loc>
      <image:title>Magazine - OHSH PROJECTS: an interview with Henry Hussey and Sophia Olver - Make it stand out</image:title>
      <image:caption>Jo Dennis, Is Dad Home, 2021, Oil, household, acrylic and spray paint on found object; Army surplus tent, 240 x 370 cm</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/the-molecular-weight-of-water</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-26</lastmod>
  </url>
  <url>
    <loc>https://www.doris.press/blog/carlo-crivelli-and-the-peculiar-fate-of-a-long-distance-runner-by-william-davie</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/c5eba85c-f293-4588-924e-3b69c4d16c5d/Carlo+Crivelli%2C+Saint+Mary+Magdalene+%28c.+1491%E2%80%931494%29.jpg</image:loc>
      <image:title>Magazine - Carlo Crivelli and the Peculiar Fate of a Long-Distance Runner by William Davie - Make it stand out</image:title>
      <image:caption>Carlo Crivelli -Saint Mary Magdalene (c. 1491–1494), Tempera on lime, 37.5 x 18.5 cm, © The National Gallery, London. NG907.2.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/25a4bd87-5d51-4883-ab5b-7ccaf8407818/Carlo+Crivelli%2C+Saint+Catherine+of+Alexandria+%28c.+1491%E2%80%931494%29.jpg</image:loc>
      <image:title>Magazine - Carlo Crivelli and the Peculiar Fate of a Long-Distance Runner by William Davie - Make it stand out</image:title>
      <image:caption>Carlo Crivelli -Saint Catherine of Alexandria (c. 1491–1494) Tempera on lime, 38 x 19 cm, © The National Gallery, London. NG907.1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/ad8565a8-28b8-4260-b809-e2ffb05c2b13/Carlo+Crivelli%2C+The+Vision+of+the+Blessed+Gabriele+%28ca.+1489%29.jpg</image:loc>
      <image:title>Magazine - Carlo Crivelli and the Peculiar Fate of a Long-Distance Runner by William Davie - Make it stand out</image:title>
      <image:caption>Carlo Crivelli -The Vision of the Blessed Gabriele (c. 1489) Egg and oil on poplar, 141 x 87 cm, © The National Gallery, London. NG668.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/035cf8f4-5fc1-45e0-94ff-f0f33abe662a/Installation+view%2C+Carlo+Crivelli%2C+Shadows+on+the+Sky+%282023%29.+Copyright+Ikon+Gallery.+Photographer%2C+Stuart+Whipps.jpg</image:loc>
      <image:title>Magazine - Carlo Crivelli and the Peculiar Fate of a Long-Distance Runner by William Davie - Make it stand out</image:title>
      <image:caption>Installation view, Carlo Crivelli, Shadows on the Sky (2021). Copyright Ikon Gallery. Photographer, Stuart Whipps</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/d680a8d1-18f9-432a-9dd8-fdc0df66947b/Carlo+Crivelli%2C+The+Annunciation%2C+with+Saint+Emidius+%281486%29.jpg</image:loc>
      <image:title>Magazine - Carlo Crivelli and the Peculiar Fate of a Long-Distance Runner by William Davie - Make it stand out</image:title>
      <image:caption>Carlo Crivelli -The Annunciation, with Saint Emidius (1486), Egg and oil on canvas, 207 x 146.7 cm, © The National Gallery, London. NG739.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/return-of-rococo-the-beautiful-and-the-beastly</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/dead059d-6d62-41aa-98ec-ff5b871e85e1/main-image.jpeg</image:loc>
      <image:title>Magazine - Return of Rococo: the beautiful and the beastly by Rosalyn Frances - Make it stand out</image:title>
      <image:caption>Two Porcelain Dancers, Höchst manufactory, c.1758, The Metropolitan Museum of Art, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/104214ea-c31c-4a14-b2b3-532cb6e440df/Screenshot+2022-05-02+at+19.32.27.png</image:loc>
      <image:title>Magazine - Return of Rococo: the beautiful and the beastly by Rosalyn Frances - Make it stand out</image:title>
      <image:caption>The China Shop, Disney Studios, 1934, animation. Image Source: YouTube.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/661a73ab-5e1e-4be2-96dc-41e8bff8c47e/Screenshot+2022-05-02+at+19.36.52.png</image:loc>
      <image:title>Magazine - Return of Rococo: the beautiful and the beastly by Rosalyn Frances - Make it stand out</image:title>
      <image:caption>Hans Bacher, Visual development for Beauty and the Beast (1991), c.1989-1990, gouache on paper. Image source: Twitter.</image:caption>
    </image:image>
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      <image:title>Magazine - Return of Rococo: the beautiful and the beastly by Rosalyn Frances - Make it stand out</image:title>
      <image:caption>Genieve Figgis, Pink Stage, 2017, acrylic on canvas, 31 x 39 inches. Image Source: www.genievefiggis.com</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/space-is-substance-an-interview-with-the-painter-boo-saville</loc>
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    <priority>0.5</priority>
    <lastmod>2025-08-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/478da8e3-67d7-4b67-bfe1-0e651d9a3471/root-9900000000079e3c_2.jpg</image:loc>
      <image:title>Magazine - Space is Substance, an interview with painter Boo Saville - Make it stand out</image:title>
      <image:caption>Roots, 2022, ink on paper</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/seafoam-shells-amp-inhabited-stone-eileen-agar-angel-of-anarchy-leeds-art-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/950d3e05-50c2-4c67-a555-a09b6f82b495/Precious+Stones.jpg</image:loc>
      <image:title>Magazine - Seafoam, shells &amp;amp; inhabited stone, Eileen Agar - Angel of Anarchy, Leeds Art Gallery by Eloise Bennett - Make it stand out</image:title>
      <image:caption>Eileen Agar, Precious Stones, 1936. Courtesy of Leeds Museums and Galleries © The estate of Eileen Agar</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/8792bc25-1eb5-46b3-8e10-a2a8ca9d7acd/PastedGraphic-1.png</image:loc>
      <image:title>Magazine - Seafoam, shells &amp;amp; inhabited stone, Eileen Agar - Angel of Anarchy, Leeds Art Gallery by Eloise Bennett - Make it stand out</image:title>
      <image:caption>Eileen Agar, Painted shell, date unknown. Acrylic paint on shell. Tate Archive TGA 9222/3/2/13 © The estate of Eileen Agar. All Rights Reserved 2022 / Bridgeman Images</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/5e8d903a-d787-40a7-8def-a858bbaac8d0/PastedGraphic-2.png</image:loc>
      <image:title>Magazine - Seafoam, shells &amp;amp; inhabited stone, Eileen Agar - Angel of Anarchy, Leeds Art Gallery by Eloise Bennett - Make it stand out</image:title>
      <image:caption>Eileen Agar, Sculpture consisting of a piece of coral glued to a plastic tripod, date unknown. Tate Archive TGA 9222/3/2/10 © The estate of Eileen Agar. All Rights Reserved 2022 / Bridgeman Images</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/2a751530-5ff8-4f5e-a1a4-e8312d4c3b29/PastedGraphic-3.png</image:loc>
      <image:title>Magazine - Seafoam, shells &amp;amp; inhabited stone, Eileen Agar - Angel of Anarchy, Leeds Art Gallery by Eloise Bennett - Make it stand out</image:title>
      <image:caption>Eileen Agar, Stone painted green with blue star painted on it, 28 June 1986. Tate Archive TGA 9222/3/2/3. © The estate of Eileen Agar. All Rights Reserved 2022 / Bridgeman Images</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/c234acfd-0cab-463c-9ffe-8b712463c606/PastedGraphic-4.png</image:loc>
      <image:title>Magazine - Seafoam, shells &amp;amp; inhabited stone, Eileen Agar - Angel of Anarchy, Leeds Art Gallery by Eloise Bennett - Make it stand out</image:title>
      <image:caption>Eileen Agar, Collage Head, 1937. The Murray Family Collection, UK &amp; USA © The Estate of Eileen Agar / Bridgeman Images</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/prx2n6qtdy3utaixrvadkp80jlfx9p</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/67b428d0-b26c-42a7-8b32-2b8d55fe640f/The+Maze%2C+1953%2C+gouache+on+board%2C+91+%C3%97+121+cm_2300p_ed6_specimen+%281%29.jpg</image:loc>
      <image:title>Magazine - Humanizing a Giant by William Davie - Make it stand out</image:title>
      <image:caption>William Kurelek, The Maze, 1953 Gouache on board, 91 x 121 cm Collection of Bethlem Museum of the Mind, Beckenham, Kent. © Estate of William Kurelek, courtesy of the Wynick/Tuck Gallery, Toronto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/4c151ead-b9ef-486d-a60f-72d07ec2b128/WK+I+SPIT+ON+LIFE.jpg</image:loc>
      <image:title>Magazine - Humanizing a Giant by William Davie - Make it stand out</image:title>
      <image:caption>William Kurelek, I Spit on Life, c. 1953–54 Watercolour on board, 63.5 x 94 cm Adamson Collection, Wellcome Library, University College London, U.K. Courtesy of Wellcome Library. © Estate of William Kurelek, courtesy of the Wynick/Tuck Gallery, Toronto.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Magazine - Humanizing a Giant by William Davie - Make it stand out</image:title>
      <image:caption>William Kurelek, This Is the Nemesis, 1965 Mixed media on Masonite, 114.8 x 115.6 cm Collection of the Art Gallery of Hamilton, gift of Mrs. J.A. McCuaig, 1966 (66.75.Q). © Estate of William Kurelek, courtesy of the Wynick/Tuck Gallery, Toronto. Photo credit: Michael Lalich, courtesy of the Art Gallery of Hamilton.</image:caption>
    </image:image>
  </url>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-01</lastmod>
    <image:image>
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      <image:title>Magazine - Melissa Gordon: Female Readymade by Amie Corry - Make it stand out</image:title>
      <image:caption>Towner Art Gallery Melissa Gordon Installation View photo credit Rob Harris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/6a5692cc-14f5-4c03-a094-60a7bd5687b3/Towner+Art+Gallery+Melissa+Gordon+Installation+View+%28High+Res%29-10.jpg</image:loc>
      <image:title>Magazine - Melissa Gordon: Female Readymade by Amie Corry - Make it stand out</image:title>
      <image:caption>Towner Art Gallery Melissa Gordon Installation View photo credit Rob</image:caption>
    </image:image>
    <image:image>
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      <image:title>Magazine - Melissa Gordon: Female Readymade by Amie Corry - Make it stand out</image:title>
      <image:caption>Melissa Gordon, Female Readymade (Hat, microphone, belt, chair, Attie’spainting, stockings, rope, scarf) 2020. Photo:KristienDae</image:caption>
    </image:image>
  </url>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1492f7a4-7cb5-4ae1-b74b-51ce0b94e2dd/tumblr_o3scwbBYXB1u3x4fho1_1280.jpg</image:loc>
      <image:title>Magazine - Eva Švankmajerová: Collaboration and Individuation by Rosalyn Frances&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Eva Švankmajerová, Naissance, date unknown, ceramic sculpture. Image source: Tumblr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/4d1cdbd0-7919-4cd2-a21b-2efd14aba8ec/Screenshot+2022-02-17+at+11.50.47.png</image:loc>
      <image:title>Magazine - Eva Švankmajerová: Collaboration and Individuation by Rosalyn Frances&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Eva Švankmajerová, Pocta markýz de Sade, 1995, ceramic sculpture. Image source: Athanor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/29594229-6f6a-4302-b260-77faa459913d/images-w1400.jpg</image:loc>
      <image:title>Magazine - Eva Švankmajerová: Collaboration and Individuation by Rosalyn Frances&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Eva Švankmajerová, Poster for Little Otik, 2000, oil paint and photo collage, image source: Worthpoint</image:caption>
    </image:image>
  </url>
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    <priority>0.5</priority>
    <lastmod>2022-02-01</lastmod>
    <image:image>
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      <image:title>Magazine - The Prometheus Triptych by Oskar Kokoschka at the Courtauld by Molly Hunloke - Make it stand out</image:title>
      <image:caption>Oskar Kokoschka (1886-1980), The Prometheus Triptych - Prometheus, 1950,   Foundation Oskar Kokoschka/ DACS 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/262063f7-771a-4652-8b42-ade16df8180e/P.1978.PG_.210.1-digital-use-1200x0-c-default.jpg</image:loc>
      <image:title>Magazine - The Prometheus Triptych by Oskar Kokoschka at the Courtauld by Molly Hunloke - Make it stand out</image:title>
      <image:caption>Oscar Kokoschka (1886-1980), Triptych - Hades and Persephone, 1950. Fondation Oskar Kokoschka/ DACS 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/e094f90f-84b7-47e1-935d-e7da8f886cef/P.1978.PG_.210.2-digital-use-1200x0-c-default.jpg</image:loc>
      <image:title>Magazine - The Prometheus Triptych by Oskar Kokoschka at the Courtauld by Molly Hunloke - Make it stand out</image:title>
      <image:caption>Oscar Kokoschka (1886-1980), Triptych - The Apocalypse, 1950. Fondation Oskar Kokoschka/ DACS 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/8fcea238-5fef-4db0-857f-cf0a79c28e22/P.1978.PG_.210.3-digital-use.jpg</image:loc>
      <image:title>Magazine - The Prometheus Triptych by Oskar Kokoschka at the Courtauld by Molly Hunloke - Make it stand out</image:title>
      <image:caption>Oscar Kokoschka (1886-1980), Triptych - Prometheus, 1950. Fondation Oskar Kokoschka/ DACS 2021</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/dream-fourteennbsp-julian-simmons-and-sarah-lucasnbsp</loc>
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    <priority>0.5</priority>
    <lastmod>2022-01-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/f9516664-b0cd-4a02-a0e3-065340d1f3ac/Dream+Fourteen+Installation+Shot+10.jpg</image:loc>
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      <image:caption>Photography Julian Simmons. DREAM FOURTEEN © Julian Simmons and Sarah Lucas, courtesy the artist and Paul Stolper Gallery London</image:caption>
    </image:image>
    <image:image>
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      <image:title>Magazine - DREAM FOURTEEN - Julian Simmons and Sarah Lucas by Colin Glen - Make it stand out</image:title>
      <image:caption>CONFRONTATIONAL MICHELE MAKING A FACE (HIGH), 2021 Inkjet on Hahnemuelhe photo rag 308 gsm, 104.3 x 78cm. Photography Julian Simmons. DREAM FOURTEEN © Julian Simmons and Sarah Lucas, courtesy the artist and Paul Stolper Gallery London</image:caption>
    </image:image>
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      <image:caption>MARGOT IN LANDSCAPE FORMAT MOTHER-EARTH LIKE (HIGH), 2021 Inkjet on Hahnemuelhe photo rag 308 gsm, 104.3 x 78cm. Photography Julian Simmons. DREAM FOURTEEN © Julian Simmons and Sarah Lucas, courtesy the artist and Paul Stolper Gallery London</image:caption>
    </image:image>
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      <image:caption>MARGOT IN LANDSCAPE FORMAT MOTHER-EARTH LIKE (LEVEL), 2021 Inkjet on Hahnemuelhe photo rag 308 gsm, 78 x 104.3cm. Image courtesy of Paul Stolper Gallery, Julian Simmons and Sarah Lucas</image:caption>
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      <image:caption>SADIE LOOKING LIKE BRITANNIA, 2021 Inkjet on Hahnemuelhe photo rag 308 gsm, 104.3 x 78cm. Photography Julian Simmons. DREAM FOURTEEN © Julian Simmons and Sarah Lucas, courtesy the artist and Paul Stolper Gallery London</image:caption>
    </image:image>
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      <image:caption>YOKO SMOKING THROUGH HER BELLY-BUTTON EYE (HIGH), 2021 Inkjet on Hahnemuelhe photo rag 308 gsm, 104.3 x 78cm. Photography Julian Simmons. DREAM FOURTEEN © Julian Simmons and Sarah Lucas, courtesy the artist and Paul Stolper Gallery London</image:caption>
    </image:image>
    <image:image>
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      <image:caption>YOKO SMOKING THROUGH HER BELLY-BUTTON EYE (LOW), 2021 Inkjet on Hahnemuelhe photo rag 308 gsm, 104.3 x 78cm. Photography Julian Simmons. DREAM FOURTEEN © Julian Simmons and Sarah Lucas, courtesy the artist and Paul Stolper Gallery London</image:caption>
    </image:image>
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  <url>
    <loc>https://www.doris.press/blog/of-rock-and-concrete-by-dr-helen-pheby</loc>
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    <priority>0.5</priority>
    <lastmod>2022-01-02</lastmod>
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      <image:title>Magazine - Of rock and concrete by Helen Pheby - Make it stand out</image:title>
      <image:caption>Photo: Nwando Ebizie making field recordings for The Garden of Circular Paths 2021. Image courtesy the artist. Photography: Alice Pat Jackson.</image:caption>
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    <image:image>
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      <image:title>Magazine - Of rock and concrete by Helen Pheby - Make it stand out</image:title>
      <image:caption>Photo: Rosanne Robertson Stone (Butch), 2021 Corten steel, jesmonite and paint 220 x 130 x 156 cm © Rosanne Robertson. Image courtesy the artist, Sculpture in the City and Maximillian William, London. Photography: Jack Hems</image:caption>
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      <image:title>Magazine - Of rock and concrete by Helen Pheby - Make it stand out</image:title>
      <image:caption>Emily Hesse work in progress, Cow Syke, 2021 Photography: Helen Pheby</image:caption>
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      <image:title>Magazine - Of rock and concrete by Helen Pheby - Make it stand out</image:title>
      <image:caption>Photo: View across Todmorden moors, photography Helen</image:caption>
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  <url>
    <loc>https://www.doris.press/blog/tree-teacher-tree-by-anna-souter</loc>
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    <priority>0.5</priority>
    <lastmod>2021-12-14</lastmod>
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      <image:caption>Fiona Banner aka The Vanity Press, Rear View Mirror, 2020</image:caption>
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      <image:title>Magazine - Tree Teacher Tree by Anna Souter - Make it stand out</image:title>
      <image:caption>Fiona Banner aka The Vanity Press, Heavy Petal, 2020</image:caption>
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      <image:caption>Emily Joy, Portal, 2021</image:caption>
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      <image:title>Magazine - Tree Teacher Tree by Anna Souter - Make it stand out</image:title>
      <image:caption>Emily Joy, Portal, 2021</image:caption>
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      <image:caption>Colin Glen, The Clearing, 2021</image:caption>
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      <image:caption>Janet Sobel untitled, c 1941, oil on canvas 81.3 x 63.5 cm 32 1/8 x 25 in</image:caption>
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      <image:caption>JANET SOBEL, untitled, c 1942, gouache on board, 32.5 x 25 cm, 12 3/4 x 9 7/8 in</image:caption>
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      <image:caption>Janet Sobel, The Illusion of Solidity , c 1945, oil on canvas, 108.5 x 68.6 cm, 42 3/4 x 27 1/8 in</image:caption>
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      <image:caption>JANET SOBEL, untitled, c 1946/48 enamel on canvas on board50.8 x 40.6 cm, 20 x 16 in</image:caption>
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      <image:caption>JANET SOBEL untitled, c 1942, gouache on canvas on board, 31.8 x 34.3 cm, 12 1/2 x 13 1/2 in</image:caption>
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      <image:title>Magazine - Drowning the memory, On visiting Tomás Saraceno’s Event Horizon, Copenhagen, Denmark - By Malene Engelund - Make it stand out</image:title>
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      <image:caption>Photo credit courtesy of Torben Eskerod</image:caption>
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      <image:caption>Photo credit courtesy of Torben Eskerod</image:caption>
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      <image:caption>Quilt 11, front</image:caption>
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      <image:caption>Quilt 15, front</image:caption>
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      <image:caption>Quilt 15, back</image:caption>
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      <image:caption>Quilt 19, front</image:caption>
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      <image:caption>Quilt 19, back</image:caption>
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      <image:caption>Quilt 21, back</image:caption>
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      <image:caption>Quilt 31, Interior of Villas at Krefeld designed by Meis Van Der Rohe</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Magazine - Sanya Kantarovsky, Into the Blue by Elaine Tam - Make it stand out</image:title>
      <image:caption>Pablo Picasso, Les Noces de Pierrette, 1905. © Estate of Pablo Picasso</image:caption>
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      <image:caption>Sanya Kantarovsky, On Them, 2019. © Sanya Kantarovsky. Courtesy: the artist, Modern Art, London and Luhring Augustine, New York, USA</image:caption>
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      <image:title>Magazine - Sanya Kantarovsky, Into the Blue by Elaine Tam - Make it stand out</image:title>
      <image:caption>Left: Sanya Kantarovsky, Salome II, 2020. © Sanya Kantarovsky. Courtesy: the artist, Modern Art, London and Luhring Augustine, New York, USA.</image:caption>
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      <image:title>Magazine - Sanya Kantarovsky, Into the Blue by Elaine Tam - Make it stand out</image:title>
      <image:caption>Right: Pablo Picasso, Self-portrait, 1901. © Estate of Pablo Picasso / Musée Picasso Paris.</image:caption>
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      <image:title>Magazine - Sanya Kantarovsky, Into the Blue by Elaine Tam - Make it stand out</image:title>
      <image:caption>Left: Sanya Kantarvosky, Examination, 2020. © Sanya Kantarovsky. Courtesy: the artist, Modern Art, London and Luhring Augustine, New York, USA.</image:caption>
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      <image:caption>Right: Sanya Kantarovsky, Mutualism II, 2020. © Sanya Kantarovsky. Courtesy: the artist, Modern Art, London and Luhring Augustine, New York, USA.</image:caption>
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      <image:caption>Sanya Kantarovsky, Beach, 2019. © Sanya Kantarovsky. Courtesy: the artist, Modern Art, London and Luhring Augustine, New York, USA.</image:caption>
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      <image:title>Magazine - Sanya Kantarovsky, Into the Blue by Elaine Tam - Make it stand out</image:title>
      <image:caption>Left: Sanya Kantarovsky, As ye sow, so shall ye reap, 2020. © Sanya Kantarovsky. Courtesy: the artist, Modern Art, London and Luhring Augustine, New York, USA</image:caption>
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      <image:title>Magazine - Sanya Kantarovsky, Into the Blue by Elaine Tam - Make it stand out</image:title>
      <image:caption>Right: Pablo Picasso, La Maternité, 1901. © Estate of Pablo Picasso / The National Gallery, London.</image:caption>
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      <image:caption>Sanya Kantarvosky, Alma, 2018. © Sanya Kantarovsky. Courtesy: the artist, Modern Art, London and Luhring Augustine, New York, USA.</image:caption>
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      <image:title>Magazine - Marie Harnett - What Was My Own by William Davie</image:title>
      <image:caption>SHE BROKE THE RULES (2019) Pencil on drafting film Image size: 62.5 x 150 cm Paper size: 70.5 x 158 cm</image:caption>
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    <lastmod>2021-04-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1617197649244-BXN9QDELR1QEYW07AKH6/B98_0017.jpeg</image:loc>
      <image:title>Magazine - Captivated and Repelled: Invigilating with Mona Hatoum’s Current Disturbance – Roisin Dunnett</image:title>
      <image:caption>Current Disturbance 1996 Installation: Wood, wire mesh, lightbulbs, computerized dimmer switch, amplifier, four speakers 280 x 550 x 504 cm</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/from-the-spring-flowers-own-this-unfinished-business-of-my-childhood-by-etel-adnan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1617271594683-9R0XSYJIZ88UDN7EN3VN/image0.jpeg</image:loc>
      <image:title>Magazine - from The Spring Flowers Own: “This unfinished business of my / childhood” by Etel Adnan</image:title>
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  </url>
  <url>
    <loc>https://www.doris.press/blog/alice-st-clair-audio-post</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-22</lastmod>
  </url>
  <url>
    <loc>https://www.doris.press/blog/woman-with-her-throat-cut-by-alberto-giacometti-1932-sue-hubbard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1615758334367-7Q2J3MX0EGIU6HH0KA3G/image.jpg</image:loc>
      <image:title>Magazine - Woman with Her Throat Cut - Alberto Giacometti, 1932. By Sue Hubbard</image:title>
      <image:caption>Alberto Giacometti Woman with Her Throat Cut Date - 1932 (cast 1940) Medium - Bronze Dimensions: 9 1/8 x 35 1/16 x 23 5/8 inches (23.2 x 89.1 x 60 cm) The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice, 1976</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/monster-moms-and-phantom-pains-recent-paintings-by-tala-madani-by-elaine-tam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1614615896612-MY91ZV1VX1YCLRQQ2LIU/TM+19-012.jpg</image:loc>
      <image:title>Magazine - Monster Moms and phantom pains, recent paintings by Tala Madani. By Elaine Tam.</image:title>
      <image:caption>Tala Madani. Shit Mom (Quads), 2019. Oil on linen. 182.9 x 182.9 x 3.2 cm. Photography: Lee Thompson. Courtesy of the artist and David Kordansky Gallery, Los Angeles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1614615956997-47LN5C6KIXNHRXVRK2K0/TM+19-088.jpg</image:loc>
      <image:title>Magazine - Monster Moms and phantom pains, recent paintings by Tala Madani. By Elaine Tam.</image:title>
      <image:caption>Tala Madani. Untitled, 2020. Oil on linen. 61 x 50.8 cm. Courtesy of the artist, Pilar Corrias, London, and David Kordansky Gallery, Los Angeles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1614616021096-CMKH4JPPGCZMO5UHVNZ0/TM+19-060b.jpg</image:loc>
      <image:title>Magazine - Monster Moms and phantom pains, recent paintings by Tala Madani. By Elaine Tam.</image:title>
      <image:caption>Tala Madani. The Womb (still), 2019. Single channel colour animation. 3 min 26 sec. Courtesy of the artist and David Kordansky Gallery, Los Angeles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1614616085055-HRJ0E22HG6M47ENWZR0K/TMA-206_5K.jpg</image:loc>
      <image:title>Magazine - Monster Moms and phantom pains, recent paintings by Tala Madani. By Elaine Tam.</image:title>
      <image:caption>Tala Madani. Mother Figure, 2018. Oil on linen. 139.7 x 111.8 cm. Courtesy of the artist and 303 Gallery, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/6nc4hyiqbpeszn4uqq2e4hbw1z523p</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1613946931981-QJRTEHG4FTYFLFECQOVL/Screenshot+2021-02-21+at+22.18.44.png</image:loc>
      <image:title>Magazine - The Story Behind the Story by Kaethe Cherney</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1613946852127-9JTYJ421IMROTJGVUM7O/Kaethe+in+garden.jpg</image:loc>
      <image:title>Magazine - The Story Behind the Story by Kaethe Cherney</image:title>
      <image:caption>https://www.amazon.co.uk/Happy-As-Larry-Crushes-Quaaludes-ebook/dp/B07HRKLMZH/ref=nodl_</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/looking-for-leonora-a-turn-to-the-tarot-by-elaine-tam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1613386530939-449UB56VT06RZFKOJB1C/LC_Judgement.jpeg</image:loc>
      <image:title>Magazine - Looking for Leonora / a turn to the Tarot. By Elaine Tam.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1613386867049-3WZVK106B0E0B39KP7VX/LC_The+Moon.jpeg</image:loc>
      <image:title>Magazine - Looking for Leonora / a turn to the Tarot. By Elaine Tam.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1613386913883-1XZC8NQHECFIJ3GXZT9J/LC_The+World.jpeg</image:loc>
      <image:title>Magazine - Looking for Leonora / a turn to the Tarot. By Elaine Tam.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1613387677489-IIBGPDAL3EUGBR160SCL/LC_The+Star.jpeg</image:loc>
      <image:title>Magazine - Looking for Leonora / a turn to the Tarot. By Elaine Tam.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/folie-a-deux-cressida-connolly</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-21</lastmod>
  </url>
  <url>
    <loc>https://www.doris.press/blog/john-stezaker</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1611668143333-K1HUX1YVFVWBBNJ9DSZT/842d15d1-33e6-4e9e-b751-ce3abd7503f4.jpg</image:loc>
      <image:title>Magazine - At the Edge of Pictures: John Stezaker, Works 1975–1990, at Luxembourg + Co., London review by William Davie</image:title>
      <image:caption>John Stezaker - ‘Untitled (Assisted Readymade)’, 1977, Found image</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1611668162072-077JZ3OBQWH4EXZ48HZL/85325539-d731-4f96-b2d4-579ead59c6c6.jpg</image:loc>
      <image:title>Magazine - At the Edge of Pictures: John Stezaker, Works 1975–1990, at Luxembourg + Co., London review by William Davie</image:title>
      <image:caption>John Stezaker - Untitled (Photoroman), 1977, Cut photographic reproductions on paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1611668113953-3R8KNMZ8X0MADB9E1YUI/d5e0aa4c-6391-4fe0-a371-becc83b191f0.jpg</image:loc>
      <image:title>Magazine - At the Edge of Pictures: John Stezaker, Works 1975–1990, at Luxembourg + Co., London review by William Davie</image:title>
      <image:caption>John Stezaker - Tabula Rasa II, 1983, White card on film still photograph</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1611668095342-10FKMTM70U5SI8O45QQD/8cd596e4-3a09-4180-ba0d-e5ec0bcb6bae.jpg</image:loc>
      <image:title>Magazine - At the Edge of Pictures: John Stezaker, Works 1975–1990, at Luxembourg + Co., London review by William Davie</image:title>
      <image:caption>John Stezaker - Mask X, 1982, Postcard on film still photograph</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1611671530997-RLEXMP3OD94LW1YNERQN/exhibition_landscape.jpg</image:loc>
      <image:title>Magazine - At the Edge of Pictures: John Stezaker, Works 1975–1990, at Luxembourg + Co., London review by William Davie</image:title>
      <image:caption>John Stezaker - Care, 1987-89, Silkscreen on canvas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/mira-schor-the-disembodied-mind-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-26</lastmod>
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      <image:title>Magazine - Mira Schor: The Disembodied Mind, at Lyles &amp;amp; King, New York, review by Sharon Butler</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1610711973683-1MVOJPWTBR55GJ3P8OHH/LK_SchorTippingPoint_Jan21_066%2Bweb.jpg</image:loc>
      <image:title>Magazine - Mira Schor: The Disembodied Mind, at Lyles &amp;amp; King, New York, review by Sharon Butler</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1610711944668-INSISNKW45ZDRR6G26FV/LK_SchorTippingPoint_Jan21_010-web.jpg</image:loc>
      <image:title>Magazine - Mira Schor: The Disembodied Mind, at Lyles &amp;amp; King, New York, review by Sharon Butler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1610713001391-LMJWMCTUZ57W3IS3XYFC/LK_SchorTippingPoint_Jan21_024-web.jpg</image:loc>
      <image:title>Magazine - Mira Schor: The Disembodied Mind, at Lyles &amp;amp; King, New York, review by Sharon Butler</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/q4z4e8qvyfuzeq2ryndlmy6dssgyn7</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1610043681339-UFNARHTJ9BK8X9UU0184/Screenshot%2B2021-01-07%2Bat%2B18.16.33.jpg</image:loc>
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      <image:title>Magazine - comic strip by Joseph Emmett</image:title>
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      <image:title>Magazine - comic strip by Joseph Emmett</image:title>
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    <image:image>
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      <image:title>Magazine - comic strip by Joseph Emmett</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1610044494540-BHVEOY051CK47F0C6VLI/WLP2.jpg</image:loc>
      <image:title>Magazine - comic strip by Joseph Emmett</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1610044500283-MHJIB7QW7YQ8JFPKPFMX/image.jpeg</image:loc>
      <image:title>Magazine - comic strip by Joseph Emmett</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/everything-begins-with-the-skin-enitharmon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1609621807758-7273FWPYK1BWEKREK71V/image+3.jpeg</image:loc>
      <image:title>Magazine - New Year by Sue Hubbard</image:title>
      <image:caption>Image by Eileen Cooper</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/will-self-on-rachel-howards-paintings-of-violence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1609264869477-4MDFZUNWISTBDIGBJV1T/Screenshot+2020-12-29+at+17.30.07.png</image:loc>
      <image:title>Magazine - Decent Drapery by Will Self</image:title>
      <image:caption>©Chris Close</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/book-review-on-notes-made-while-falling-jenn-ashworth-goldsmiths-press</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1608465317274-MZQ3CVIFPZXN55B6OY13/Notes+made+while+falling+jenn+ashworth.jpg</image:loc>
      <image:title>Magazine - Jenn Ashworth - Notes Made While Falling reviewed by playwright Zoe Lewis</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/matthewburrowsmurakami</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1607784475181-B2T5QTWT2BTUM9KTA989/Screenshot%2B2020-12-11%2Bat%2B18.57.42.jpg</image:loc>
      <image:title>Magazine - Matthew Burrows MBE on Haruki Murakami's 'What I Talk About When I Talk About Running'</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1607705522524-RA2OWU3Y6LGG01NZOCKW/Image+11-12-2020+at+16.49.jpg</image:loc>
      <image:title>Magazine - Matthew Burrows MBE on Haruki Murakami's 'What I Talk About When I Talk About Running'</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1607711232573-0PH09JA07GQ1NAKLOFRU/Screenshot+2020-12-11+at+18.09.17.png</image:loc>
      <image:title>Magazine - Matthew Burrows MBE on Haruki Murakami's 'What I Talk About When I Talk About Running'</image:title>
      <image:caption>Matthew Burrows MBE - 'Sleepscape' 2019 Oil on linen 182 x 242 cm 71 5/8 x 95 1/4 inches. Photo credit -Jonathan Bassett</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/blog/celiahempton</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1607256897255-AVAG2239Y0QLCYMK0INJ/HEMPTON_Celia%252BHempton_2020_Installation%252BView_7.jpg</image:loc>
      <image:title>Magazine - Real Time by Amie Corry. Celia Hempton at Southard Reid/London/UK</image:title>
      <image:caption>Courtesy the artist and Southard Reid, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1607256118473-62ZN1MCMTXJIGNK5HWX5/HEMPTON_Celia+Hempton_2020_Installation+View_4.jpeg</image:loc>
      <image:title>Magazine - Real Time by Amie Corry. Celia Hempton at Southard Reid/London/UK</image:title>
      <image:caption>Courtesy the artist and Southard Reid, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1607260151084-F7T2ETSD2G4GJCHVFQE0/Screenshot+2020-12-06+at+13.08.29.png</image:loc>
      <image:title>Magazine - Real Time by Amie Corry. Celia Hempton at Southard Reid/London/UK</image:title>
      <image:caption>France, 27th May 2020, Oil on linen 30 x 35 cm, Courtesy the artist and Southard Reid, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1607258666044-AH1W6NZTPN5406BF0YCQ/HEMPTON_Celia+Hempton_2020_Installation+View_24.jpeg</image:loc>
      <image:title>Magazine - Real Time by Amie Corry. Celia Hempton at Southard Reid/London/UK</image:title>
      <image:caption>Courtesy the artist and Southard Reid, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1607258730791-LS1Q0MNXDAZ9OC1RK2ME/HEMPTON_Self+Portrait%2C+7th+October+2019_2019_SR-HEMP3488.jpg</image:loc>
      <image:title>Magazine - Real Time by Amie Corry. Celia Hempton at Southard Reid/London/UK</image:title>
      <image:caption>Self Portrait 7th October 2019, Oil on gesso panel, 40 x 35 cm, Courtesy of the artist and Southard Reid,</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.doris.press/about</loc>
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    <lastmod>2024-09-13</lastmod>
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  <url>
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  <url>
    <loc>https://www.doris.press/contributors</loc>
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    <priority>0.75</priority>
    <lastmod>2025-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/f5703dd7-3cc1-4bf3-bdf3-251f2336fa88/000029580009-Edit+copy.jpg</image:loc>
      <image:title>Contributors - Conor Ackhurst</image:title>
      <image:caption>Conor Ackhurst (b. 1995, London) is a visual artist working across sculpture, installation, video, print, and performance. He received a BA in Fine Art and History of Art from Goldsmiths, University of London. His practice centres on the construction of unstable environments through the assemblage of found and fabricated elements. These spatial interventions compress and distort everyday structures, such as the crushed interior of a car, a passageway transformed into an impossible collision of doors, or a cave narrowed to claustrophobic proportions. This simulated world-building acts as a confrontation with potential violence, presenting it as a boundary experience. In 2023, he was a finalist for the CIRCA Prize, with his film Dash Cam Comp. Fade to Black screened in Piccadilly Circus, Berlin, and Milan. That same year, he received a Developing Your Creative Practice grant from Arts Council England, and in 2022 was awarded the OMNI Artist Award. His solo exhibitions include Hide (SVA Gallery, Stroud, 2025), Crumple Zone (Soft Commodity, London, 2024), and Grounded (St. Chad's, London, 2024). His work has been exhibited internationally, and he has undertaken residencies in Mexico and Bulgaria. He was recently interviewed in Emergent Magazine, discussing the evolving concerns of his sculptural practice. Photo Credit: Johan Manuel de Mora</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/2de15f80-29d5-46a2-90c4-333619ec82db/IMG_1294.jpg</image:loc>
      <image:title>Contributors - Sam Cornish</image:title>
      <image:caption>Sam Cornish is a writer and curator, with a particular interest in abstract art.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/e99ca868-143c-4ede-86f6-54d523603736/IMG_5714.jpeg</image:loc>
      <image:title>Contributors - Hanna Dhaimish</image:title>
      <image:caption>Hanna Dhaimish is a curator and arts professional with an MA in History of Art with Curating from Birkbeck, University of London. Her practice explores themes of identity, representation, and community engagement, drawing from her mixed-race background and experiences growing up in Lancashire.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/49b8169e-a230-4d0a-9a57-e6c7b0096fff/download.jpeg</image:loc>
      <image:title>Contributors - Hannah Lees</image:title>
      <image:caption>Hannah Lees's practice investigates ideas of cycles, constancy and mortality; the sense that things come to an end and the potential for new beginnings. This constancy, be it in religion, science, history or in matter, is made visible through her attempts to make sense of and recognise traces of life. Traditional processes, materials and rituals are often reworked to explore how ideas and beliefs can live, die and be reborn across times and cultures. There is a particular interest in how civilizations form and end around an ever-changing relationship between what is valued and what is discarded. www.hannahlees.com image credit: Benjamin Eagle</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/48d84013-f190-4876-bcf5-cd756927738b/Kerry_Harker.jpg</image:loc>
      <image:title>Contributors - Dr Kerry Harker</image:title>
      <image:caption>Dr Kerry Harker is a curator and researcher based in Leeds, UK. She was the Co-founder and inaugural Artistic Director of The Tetley, a contemporary art space in Leeds that existed from 2013-23. Since 2017 she is the Founder and Artistic Director of the East Leeds Project, a visual arts organisation working with art as a social action. Her research focuses on artist-led initiatives and feminist urbanisms. Image credit: Jules Lister</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/d82d07cf-6fbc-436c-8295-cd131b8984df/b6d73e18-f152-4d20-b55b-eecd4c4fffd6.JPG</image:loc>
      <image:title>Contributors - Kate Dent</image:title>
      <image:caption>An MA graduate with a background in London-based arts administration, Kate Dent lives near Stroud, Gloucestershire.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/673e775b-90b7-472b-a002-615f80df3893/twitterheadshot.jpg</image:loc>
      <image:title>Contributors - Lydia R. Figes</image:title>
      <image:caption>Lydia R. Figes is an arts writer, editor and art historian who is currently studying as a Postgraduate at Cambridge University. She has written for numerous arts magazines and platforms such as the Guardian, Dazed, AnOther, i-D, Elephant, Apollo, The Critic, TANK and many others. She recently finished writing her first book with Thames &amp; Hudson.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/7b5381f9-857d-4eda-9126-54cbfd5b8360/RC+author+photo-1.jpg</image:loc>
      <image:title>Contributors - Rachel Carney</image:title>
      <image:caption>Rachel Carney is a creative writing tutor and PhD student based in Cardiff. She won the Pre-Raphaelite Society Poetry Competition and was voted runner up in the Bangor Poetry Competition in 2021. Two of her poems have been shortlisted for the Bridport Prize. Her debut collection Octopus Mind is published by Seren Books.   https://www.serenbooks.com/book/octopus-mind/</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/50e33f09-7bde-49be-bb39-045e518980ab/workbw2a.jpg</image:loc>
      <image:title>Contributors - Nell Leyshon</image:title>
      <image:caption>Nell Leyshon is a playwright and novelist, born in Glastonbury.  Her novel The Colour of Milk has been published worldwide and has been adapted for the theatre and BBC Radio 4. Her play FOLK about Cecil Sharp’s song collecting in Somerset was performed 2021 and 2022 at Hampstead Theatre and BBC Radio 3.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/b8958795-379e-422e-b070-c8e9c84d1117/selfie.jpg</image:loc>
      <image:title>Contributors - Lily Cheetham</image:title>
      <image:caption>Lily Cheetham is an artist who works with textiles and mixed media. She comes from a long line of patchwork quilt makers, and has worked for many years in the contemporary art world. She is also a dancer with Stroud Morris dancing side Boss Morris.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/3312bdd8-d758-4f32-9993-8ac9aacd047e/image0-11.jpeg</image:loc>
      <image:title>Contributors - Mathew Weir</image:title>
      <image:caption>Mathew Weir is a London based artist. He graduated from the Royal College of Art, London in 2004.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/e8e1c0bd-0e45-4fd4-b4d2-14c61332afe9/IMG_1952.jpg</image:loc>
      <image:title>Contributors - Amelia Stout</image:title>
      <image:caption>Amelia Stout is a full-time TV researcher and freelance writer, based in London.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/88f9590e-ee67-4866-b841-7a45ddb78868/image0-10.jpeg</image:loc>
      <image:title>Contributors - Leo Temple</image:title>
      <image:caption>Leo Temple is completing a PhD on imaginary and instrumental technologies in Latin American vanguard poetics (~1921 - ~1931). He also writes and translates poems and essays. These have appeared in the Oxonian, Poetry Wales and Firmament. He was the 2019 recipient of the Wales Poetry Award for his ‘Towards a Bucolics of Contactless’.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/dea4c8cb-c2ce-4add-b193-2c3deb2f1772/Nyhvn+portrait.jpeg</image:loc>
      <image:title>Contributors - Alice Godwin</image:title>
      <image:caption>Alice Godwin is an arts writer, editor and researcher based in Copenhagen. Previously an in-house writer and researcher for Gagosian, Alice now works on a freelance basis with a number of artists and galleries, and contributes to publications including Wallpaper, Frieze, The Brooklyn Rail, Gagosian Quarterly and e-flux.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/7fc39137-8a8f-4643-88f6-fef541d5738c/Screenshot+2023-07-13+at+12.52.42.png</image:loc>
      <image:title>Contributors - Isabelle Young</image:title>
      <image:caption>Isabelle Young Isabelle Young is a London-based artist and writer who graduated from the Royal College of Art, London with an MA in Photography (2022). Sight and the novel are central to her work. Isabelle Young: Stills, her first solo exhibition in London with Galerie Fabian Lang, presented a new photographic series rooted in neorealist cinema (2023). She recently curated the exhibition Painting with Light at 79 Wardour Street with Vortic Curated (2023) and will be taking part in Open Studio at 21 Plympton Street, Marylebone, London (11 May - 2 June 2024). www.isabelle-young.co.uk</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/24540717-894b-4f7b-8894-986039d566bf/D3F7A052-D850-4188-B30F-90F59DA49BDE.jpg</image:loc>
      <image:title>Contributors - Nastia Svarevska</image:title>
      <image:caption>Nastia Svarevska is a Latvian-born writer and postgraduate student in Curating Art &amp; Public Programmes at the Whitechapel Gallery, London. Her writing practice spans creative non-fiction, artist interviews, exhibition reviews and poetry. She is interested in using art as a catalyst to bring different people together. anasva.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/38827b1f-9680-43b6-8bb8-02f0d8dfdf3e/Sophie+naufal.jpeg</image:loc>
      <image:title>Contributors - Sofi Naufal</image:title>
      <image:caption>Sofi Naufal is a writer and artist based in Berlin and London. As a writer, she publishes intimate portraits of artists. She is most interested in the power of vulnerability in art. In her own art practise she explores this through music and poetry.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/93773024-7049-44a2-bb7c-8f12acc26324/OHSH+PORTRAIT.png</image:loc>
      <image:title>Contributors - Henry Hussey and Sophia Olver</image:title>
      <image:caption>OHSH Projects is a nomadic project space, conceived in 2021 by Henry Hussey and Sophia Olver from the desire to create tactile conversations between artists and spaces. The project has currently taken up residence at 106 New Oxford Street, a former restaurant, appropriated and transformed to present art in the centre of London. OHSH Projects is a collage of ideas explored through the artists we work with and the dialogues that emerge between their processes.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/cff6910b-15f9-49be-b3b0-6b335c6c7198/image0-5.jpeg</image:loc>
      <image:title>Contributors - Jody DeSchutter</image:title>
      <image:caption>Born in Lake Country BC Canada, she received a Bachelor’s in Visual Arts in Victoria BC. DeSchutter now lives and works in London UK. Her work spans spoken word, painting, sculpture, printmaking, and tattoo.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/995d58c3-bc99-4952-9e04-3092f8ad90e5/eb+headshot.jpeg</image:loc>
      <image:title>Contributors - Eloise Bennett</image:title>
      <image:caption>Eloise is a researcher, writer and curator based in Yorkshire.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/3c191001-0d03-4476-beae-f2e4d36eda2b/Picture+1.png</image:loc>
      <image:title>Contributors - Rosalyn Frances</image:title>
      <image:caption>Rosalyn Frances is an art fanatic who studied for her BA and MA in History of Art at the University of Cambridge and the Courtauld Institute respectively. Rosalyn is a fan of the weird and wonderful in art history and obsessed with textiles and learning Czech.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/35082cd0-880d-44f1-8820-bafc01b7dc9b/promo+pic+%28black+dog%29.jpg</image:loc>
      <image:title>Contributors - Colin Glen</image:title>
      <image:caption>Colin Glen is an artist and writer, concerned with the translation from object to image. He initially studied Art and Art History at Goldsmiths College, then has completed postgraduate degrees in Art History at Birkbeck College and the University of Bristol and he has recently begun a degree in Mathematics at the Open University. He has four children and lives in Stroud.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/44d81d36-a56f-4482-8903-f9ce1cc79459/Pheby+pic.jpg</image:loc>
      <image:title>Contributors - Dr Helen Pheby</image:title>
      <image:caption>Helen is Head of Culture, Heritage and Sport with the West Yorkshire Combined Authority. She was previously Associate Director, Programme, at Yorkshire Sculpture Park and has a specialism in the socio-economic benefits of culture and creativity.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/7d2cceae-7b11-490c-845e-c141d22fe243/image_50393345.JPG</image:loc>
      <image:title>Contributors - Anna Souter</image:title>
      <image:caption>Anna Souter is an independent writer, researcher and curator. She is interested in the intersections between contemporary art and ecology, and has published criticism, essays and fiction. Anna has written for publications including The Architectural Review, The Guardian, Burlington Contemporary, The Brooklyn Rail, Hyperallergic, this is tomorrow, and Resurgence &amp; The Ecologist. She also works on exhibitions about art and ecology. In 2020, she was appointed writer-in-residence by Corridor8 for the project Thinking Through Extinction, created in partnership with University of Leeds and Manchester Museum. annasouter.net/</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1635679537224-9S5JRAJ4TAXOF23WD348/IMG_9929.JPG</image:loc>
      <image:title>Contributors - Molly Hunloke</image:title>
      <image:caption>Molly Hunloke is a writer based in London. She recently graduated from Goldsmiths College, London University and specialises in Science Fiction and Japanese Animation.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1630481825066-OOY3QW9T4NP6IT34G9Q4/Malene+Engelund.png</image:loc>
      <image:title>Contributors - Malene Engelund</image:title>
      <image:caption>Malene Engelund is a writer and translator. Her pamphlet The Wild Gods was published by Valley Press in 2016. Her translation of Christel Wiinblad’s collection My Little Brother - a morning in heaven, at least in green was published in 2020 and was the PBS recommended translation for Spring 2020. She lives in Copenhagen with her two sons.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1624527183932-Z6PCY3LSF1LCA1W4Y1GI/Kirsty+Lorenz.png</image:loc>
      <image:title>Contributors - Kirsty Lorenz</image:title>
      <image:caption>Kirsty is an artist based Scotland. Flowers have been the central subject in her work since 2003, depicting them in different ways and contexts through painting, drawing, mixed media and installation. www.kirstylorenz.com</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1617794881088-2X0YT11FJ255RKLOE3PC/Roisin+Dunnett+Bio+Photo.jpg</image:loc>
      <image:title>Contributors - Roisin Dunnett</image:title>
      <image:caption>Roisin Dunnett is a writer and a collaborator across film, installation, and audio. Her short fiction pamphlet Animal, Vegetable is published by Broken Sleep Books. She is currently undertaking an MA in Creative and Life Writing at Goldsmiths. The pamphlet: Roisin Dunnett - Animal, Vegetable | Broken Sleep Books. https://www.brokensleepbooks.com/product-page/roisin-dunnett-animal-vegetable Will be released 31st May 2021</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1616414066234-KISJKEBSQNPNSBX0W7HU/IMG_3536.jpg</image:loc>
      <image:title>Contributors - Alice St Clair</image:title>
      <image:caption>Alice started her career working in Los Angeles for Weed Road Pictures for Akiva Goldsman before moving to New York City and attending the New York  Conservatory for Dramatic Arts on an acting scholarship. Her first film appearance was in 2011 in ‘Sarah’s Key’ and she has gone on to star as Kate Middleton in ‘William &amp; Catherine: A Royal Romance’ and Flora Marshall in BBC 1’s ‘Crimson Field’ alongside many other television and theatre productions. Alice is also a spoken word artist, performing around the world and creating her own shows. Alice is a regular voice on BBC Radio most notably Homefront, Words and Music and Saturday Drama. She is also the voice of Air BnB. http://www.iamalicestclair.com/</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1613947431501-IKXPVZG81XJZDW1VZ5NI/Kaethe+in+garden.jpg</image:loc>
      <image:title>Contributors - Kaethe Cherney</image:title>
      <image:caption>https://www.amazon.co.uk/Happy-As-Larry-Crushes-Quaaludes-ebook/dp/B07HRKLMZH/ref=nodl_</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1613389342776-UYSNW4TUT9LLFUBKQCX7/selfie.JPG</image:loc>
      <image:title>Contributors - Elaine Tam</image:title>
      <image:caption>Elaine Tam is someone who sometimes does something. And this includes writing for Doris Press. www.elainetam.net</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1612443003723-GQ1JX44CGCTY82WJ9EV5/WD+portrait.jpg</image:loc>
      <image:title>Contributors - William Davie</image:title>
      <image:caption>www.william-davie.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1612442927770-3OIYZA22CFLTSP2JE0RQ/14.jpg</image:loc>
      <image:title>Contributors - Sharon Butler</image:title>
      <image:caption>A painter and arts writer, Sharon Butler is widely known as the founder of Two Coats of Paint, a project which includes an influential art blogazine, an artists residency, a small press, and other initiatives. https://www.sharonlbutler.com https://www.twocoatsofpaint.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1612979604199-ZPUL81JKTCZ2T6Y7KIEP/IMG_0661.jpeg</image:loc>
      <image:title>Contributors - Joseph Emmett</image:title>
      <image:caption>Joseph Emmett is an artist, illustrator and cartoonist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1612442785731-YGZ5GSMLR3IPQJ1JYCQF/Screenshot+2021-02-04+at+10.32.26.png</image:loc>
      <image:title>Contributors - Sue Hubbard</image:title>
      <image:caption>Sue Hubbard is a freelance art critic, novelist, award-winning poet, lecturer and broadcaster. https://suehubbard.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1612444818801-YBQ2ZN94ZPTAZFMWRVWB/image.jpeg</image:loc>
      <image:title>Contributors - Will Self</image:title>
      <image:caption>Will Self is a writer https://will-self.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1612442639628-ZT8SAEDYO2NK0OTQR3EY/PastedGraphic-1.png</image:loc>
      <image:title>Contributors - Zoe Lewis</image:title>
      <image:caption>https://zoe-lewis.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1612442391842-4HWHEI6QHMXH4XN5P70N/image.jpeg</image:loc>
      <image:title>Contributors - Matthew Burrows MBE</image:title>
      <image:caption>Tobias Keene, D.D.S. Hailing from Richmond, Virginia, Dr. Tobias Keene brings a bit of unabashed Southern hospitality to all his patients. He moved to Washington, D.C. over thirty years ago as a freshman at Ivy College. Right after graduation, he attended World University’s School of Dentistry. Before opening Keene Dental in 1994, he worked for free clinics and some of the finest practices in the District. He is part of the 123 Dental Association and stays up-to-date on the latest dental discoveries. When not striving to keep his patients happy and healthy, he’s enjoys hiking with his family in Rock Creek Park.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fc65eccf7cf8c7540500f0a/1612442313433-KYLARNAG6AM77WYKORAI/Amie+Corry+shot.jpg</image:loc>
      <image:title>Contributors - Amie Corry</image:title>
      <image:caption>Amie Corry is a London-based writer and editor. She writes on contemporary art for titles such as the Times Literary Supplement and Burlington Contemporary. She edited Damien Hirst's publications between 2015 and 2020 and now heads up artist Do Ho Suh's publishing projects and studio. She also writes short fiction. In 2014, taking inspiration from Guerrilla Girls, Amie co-produced an audit with the East London Fawcett Society of London’s galleries, to establish the gender disparity between the city’s exhibited artists. In 2019 she co-founded an inclusive literary festival – Primadonna – alongside a group of women that includes Jude Kelly, Catherine Mayer, Sandi Toksvig and Kit de Waal. Conceived to give prominence to work by women and those from the margins, the inaugural year featured appearances from Bernardine Evaristo and Elif Shafak among others. She is a trustee of the arts and mental health charity Hospital Rooms.</image:caption>
    </image:image>
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